Man of Tai Chi is an upcoming action film that is set in modern Beijing and is the mark of Keanu Reeves’ directional debut. This new movie also stars Reeves and explores the spiritual journey of a young martial artists (Tiger Chen) whose Tai Chi skills lands him in a highly lucrative fight club. As each fight intensifies, his will to survive does as well. Man of Tai Chi will feature a new action-packed story that will leave audiences waiting for more. Check out the movie review for this new movie below:
“Movie Review for Man of Tai Chi
HONG KONG — The Chinese title of Keanu Reeves’ directorial debut is Tai Chi Xia. It’s a phrase seemingly fraught with contradictions: While the titular martial arts school has been marked for its emphasis on self-defense, slowness and harmony, the third Chinese character refers to fighters active in perpetuating justice through close combat — a label applied in Chinese names for Western superheroes such as Batman (“Bianfu Xia” in Mandarin), Spider-man (“Zhizhu Xia”) or Iron Man (“Gangtie Xia”).
This parallel between Man of Tai Chi and these U.S. comics-turned-film-franchises might be more than just a marketing ploy. Opening in China last week and slated for a release in the U.S. by Radius at the end of 2013, the film adheres to the presently de rigueur interest in tackling the inner schisms of a powerful protagonist struggling with how he is to utilize (and capitalize on) his powers, a psychological conflict heightened by the circumstances the film’s hero has to engage with in 21st-century, cosmopolitan China — a country thriving on speed, with its go-getters defining the country’s moral parameters through their capitalistic drive.
With its toned-down, near-claustrophobic depiction of its leading character’s moral passage through bone-crunching blows, Man of Tai Chi — a project heralded by its major backer, the state-owned China Film Group, as a prime exemplar of a foreign star coming to the country and making an authentic “Chinese” film — actually runs against the upbeat, celebratory ethos which has ruled the roost in Chinese cinemas for the past few months.
Adding to its lack of high-octane blockbuster production values and an established top-billed star — Reeves is more a supporting presence on screen as the villain — its box office traction in China has stalled, and chances for the film to attain mainstream international success are limited. But stuntman-turned-star Tiger Chen’s scintillating execution of Yuen Woo-ping’s action choreography should generate interest among martial arts aficionados around the world hankering for a film filled with po-faced, skull-cracking fights underlined by philosophical musings about the rationale of violence and its discontents.
Those who expect great things from the reunion of this Matrix triumvirate — Reeves befriended both Yuen and Chen for the Wachowskis film series — will not be disappointed by the action on offer; and it’s a very diverse plate, too, representing the different “paths” a martial artist could walk down. Ranging from the fluid physical moves that Reeves and Yuen adapted from Tai Chi, to the hair-raising, bare-knuckle close encounters the film’s protagonist endures with fighters from around the world — including an unfortunately short sequence from Indonesian actor Iko Uwais of The Raid fame – the fights are ceaseless, relentless and nearly always brutal: Imagine a modern-day take on Game of Death, in which mirrored rooms and characterless bunkers replace the Korean pagoda, and one gets close to describing the ambience in which the violence unfolds.”
You can read the rest of the article at The Hollywood Reporter.
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