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3 big questions about the Disney/Fox dealand what it could mean for superhero comics

Charmaine Blake



As soon as the news broke that Disney might buy Fox‘s entertainment assets, superhero fans began wondering about what that could mean for the Marvel franchise. Would Fox’s X-Men join Disney’s MCU? Would it precipitate a total reboot of Fox’s Marvel characters, or would we see crossovers between, say, Ryan ReynoldsDeadpool and Tom Holland‘s Spider-Man?

With a deal expected to go through as early as next week, here are the three biggest questions on every Marvel fan’s lips. The first two are fun speculation, but the last is a great deal more troubling.

1) Will the X-Men and Fantastic Four join the Avengers universe?

This seems like an obvious “yes.” Marvel Studios wants creative control of as many Marvel properties as possible, which is why it negotiated so hard for Sony’s Spider-Man: Homecoming to be a crossover. Fans have been clamoring for years for the X-Men to join the MCU, and there’s no reason for Disney to keep the franchises separate.

The only hiccup is how Disney would integrate the MCU and the world of the X-Men. Disney previously introduced the Inhumans with an X-Men-like narrative in the TV franchise, but that didn’t pan out. Could they use the same concept for the X-Men, with mutants appearing spontaneously in the MCU? It might come off as a little repetitive. Otherwise, Disney would either have to reboot the whole Marvel franchise or maybe smash the two universes together like in the Marvel event comic Secret Wars. (Hey, it’s possible!)

We won’t be surprised if Marvel producer Kevin Feige already has a plan for how to do this. He worked on the first X-Men movie in 2000, so he’s had plenty of time dream up a smart way of merging the two franchises.

However they figure out the logistics, we can expect Disney to recast the main X-Men characters and hire a different creative team. This means the end of the X-Men franchise as we know it, which—given Bryan Singer‘s fall from gracemay not be a bad thing.

Meanwhile, the Fantastic Four would be much easier to add to the MCU. They don’t need any complicated worldbuilding like the X-Men, and the most recent Fantastic Four reboot was widely loathed. Most fans will be excited to see these characters back in Marvel’s capable hands.

2) What about R-rated superhero movies?

Deadpool is massively popular, but does he have a home at Disney? He isn’t exactly family-friendly, and many fans are concerned that Disney just won’t want to make any more R-rated Marvel movies like Logan and Deadpool. Not just fans, actually. Actors, too.


This is a complicated question, and ultimately impossible to predict. However, there is a ray of hope for fans of adult superhero movies. Disney is a massive company, and while “Disney movies” are always family-friendly, you can’t say the same for every Disney subsidiary. For instance, Disney owned the Weinstein Company from 1993 to 2000, during which time it released Pulp Fiction and Kill Bill.

Screengrab via 20th Century Fox/YouTube

With Marvel movies playing to a diverse audience of adults and kids, this could provide an impetus for Disney to make more adult-rated movies. Deadpool and Logan were critical and commercial successes, and if Disney restricts the entire Marvel franchise to PG-13 ratings, it may alienate some adult fans.

3) What does this mean for the comics industry?

In recent years, Marvel Comics put the Fantastic Four on the backburner and attempted to give the Inhumans a more X-Men-like role in the comics universe. The Disney/Fox deal may lead to a resurgence in Fantastic Four and X-Men comics, but that’s where the good news ends.

Amid all the superhero speculation, it’s easy to lose sight of what this situation actually is: an encroaching monopoly in the entertainment industry. Disney controls the future career of anyone working on those media properties at Fox. The studio will likely prioritize heavy-hitters like Marvel and Star Wars, which could mean phasing out some former Fox franchises that provide direct competition. You don’t want to compete with yourself, after all. To use Marvel as an example, just think about how long it took Disney to launch a female-led franchise. Between Captain Marvel and Fox’s plans for Dark Phoenix and Mystique, we would’ve seen two or three female-led franchises at the same time, plus others waiting in the wings. Will that still happen now? On a more serious note, the same could happen for smaller Fox projects whose subject-matter clashes with Disney’s ethos, or are too similar to existing Disney properties.

Then there’s the matter of online streaming services. Disney is launching its own service, and that means you could see a lot of those old Fox movies disappear from Netflix and Amazon. Instead of seeing most of your favorite movies on one or two streaming services, you’ll soon be encouraged to pay for another.

It’s important to remember that while Disney is responsible for some of your childhood faves, this corporation is not your friend. Just last month, Disney attracted backlash for blacklisting the L.A. Times, a decision made to punish the Times for publishing an article about Disney’s unsavory business practices in Anaheim.

Outside Marvel, the Disney/Fox deal could have a negative impact on the comics industry in general. Fox also owns the rights to a ton of other geek culture properties including Aliens, Predator, and The X-Files. Many of these have tie-in comics published at Dark Horse Comics, which previously suffered a blow when Disney bought Star Wars. After decades of Star Wars comics being published by Dark Horse, Disney moved the franchise in-house to Marvel. The same could happen with these Fox-owned titles, taking a lot of business away from Dark Horse—one of Marvel’s competitors. Once again, this is starting to sound a lot like a monopoly. Oh, and Fox owns a minority stake in the indie comics publisher Boom! Studios. That means Disney could get first-look rights to Boom! Studios adaptations too.

When you’re talking about something like internet service providers, it’s not hard to see why monopolies are bad. Disney’s Marvel assets add a fun twist to the Fox acquisition news, but ultimately, this kind of media empire will have worrying repercussions.

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Super Heroes

Ava DuVernay to direct DC’s ‘New Gods’



This is going to be EPIC.

Image: Cara Robbins/Contour

Ava DuVernay is confirmed to direct DC’s new superhero movie New Gods and fans of the comic are losing their damn minds.

Reported by Variety, A Wrinkle in Time director DuVernay has signed on to steer the ship for the new DC Extended Universe epic, based on the Jack Kirby-created comic.

It’ll be the second DC superhero film to be directed by a woman, following the Patty Jenkins-helmed box office smash Wonder Woman. 

While DuVernay’s current Disney film, A Wrinkle in Time, underperformed at the U.S. box office, she’s smashed it elsewhere. Selma made her the first black female director to be nominated for a Golden Globe, she was nominated for an Oscar for her documentary 13th, and she took home the directing award at Sundance for her second feature film Middle of Nowhere. Boom.

Cover of The New Gods #1, 1971

Image: The Grand Comics Database/wikimedia commons

New Gods was created in 1971 by Kirby. It centers on two planets: New Genesis, an arcadian planet ruled by Highfather, and Apokolips, an apocalyptic dystopia ruled by the formidable Darkseid. 

DuVernay paired the news with a sweet Twitter tribute to Kirby, who passed away in 1994.

Fans lost their minds over the announcement.

Super Heroes

‘Black Panther’ becomes #2 superhero movie of all time… and it’s not stopping

Charmaine Blake



Marvel Studios’ BLACK PANTHER L to R: Ayo (Florence Kasumba) and Okoye (Danai Gurira) Ph: Film Frame Marvel Studios 2018

Black Panther has officially hit $1 billion worldwide after just four weeks in theaters.

According to a release from Disney, Black Panther is the third-biggest superhero movie domestically, behind The Dark Knight ($534.9 million, and Panther is already at $530.9 as of March 10) and The Avengers ($623.4 million).

With those numbers, Black Panther will easily outstrip The Dark Knight, most likely by the end of Saturday, and it’s pacing ahead of The Avengers Panther has roughly the same domestic gross going into its fourth weekend that Avengers did after its fourth weekend. Panther also has the advantage of opening in February (Avengers and The Dark Knight were spring/summer releases) and enjoying months in theaters with little major competition.

Beyond that, here are a few more badges that Panther wears:

  • #1 February debut ($202M 3-day, $242.1M 4-day), and February release of all time

  • #5 all-time 3-day debut ($202M)

  • #1 Monday of all time ($40.1M)

  • #2 Sunday of all time ($60M)

  • #2 second weekend ($111.6M, one of only 4 films to surpass $100M mark in second weekend)

  • #1 non-holiday third weekend ($66.3M)

Black Panther is now in theaters. Based on these numbers, you probably knew that already.

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Super Heroes

‘Wonder Woman 2’ casts its Cheetah



Image: jason laveris/FilmMagic

It looks like Wonder Woman 2 is assembling its own cast of wonder women. Returning director Patty Jenkins announced Friday via Twitter that indie film actress and Saturday Night Live alum Kristen Wiig will join the sequel.

The final word of that tweet (before Jenkins tags Wonder Woman herself, Gal Gadot), is crucial. Cheetah is a classic Wonder Woman villain, created by Doctor Psycho. She has multiple aliases which all sound like SNL characters: Priscilla Rich, Deborah Domaine, Barbara Ann Minerva, and Sebastian Ballesteros (but that one’s a man).

Though known for her comedy, Wiig has been known to skew toward dark humor or muted drama in her film roles. as with Girl Most Likely, The Skeleton Twins (with fellow SNL alum Bill Hader), or Hateship, Loveship. An actress that versatile could make Cheetah extremely compelling – or at any rate, better than Ares.

Wonder Woman 2 is due in November 2019.

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