The actor talks about loneliness, big families, his temperamental reputation and why he loves to live in the moment.
“The last time I met Bill Murray things got rather physical rather quickly. It was the 2014 Vanity Fair Oscars party and I was about to leave, bloated with celebrity sightings and starting to suffer from indigestion. But as I walked out I saw a man arrive who made me turn around and go right back in.
By now, Bill Murray has long bypassed mere celebrity status to become something close to a spiritual symbol, a guru of zen, and his frequent appearances among the masses (in a karaoke bar! In a couples engagement photo!) are reported on the internet with the excitement of sightings of the messiah. Ever since his pitch perfect performances in 90s classics Groundhog Day and Rushmore, he has enjoyed a career renaissance, shucking off his well-hewn 80s comedy persona to become one of the most delightful dramatic actors around in films such as Lost in Translation and The Royal Tenenbaums. But to me, he will always be the wisecracking rumpled cynic he played in the early comedies I grew up with: Scrooged, Stripes, Tootsie, Meatballs and, of course, Ghostbusters. Watching him stride past was like watching my childhood walk by. I failed to play it cool.
Mr Murray, my names Hadley Freeman I began, expecting him, at most, to nod, say hi and walk away. I was wrong.
Oh, there, there, nobodys perfect, he bellowed. Come here, you look ill.
He then picked me up and, while giving me an enormous bear hug, swung me around the room.
This womans very ill! She needs a doctor! Shes ill! he shouted.
Eventually he put me down, rumpled my hair and disappeared into the party. As I walked towards the bar for a steadying drink…”
Why the dance numbers in the new ‘Aladdin’ are so disappointing
‘Remember the steps. Remember your training. Do not embarrass us.’
“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.
From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).
So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.
Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”
How The Blair Witch Project changed horror for ever
The movie’s marketing took advantage of trust in the early internet, but fake news isn’t what it used to be
“We will never get a movie like The Blair Witch Project again. Having said that, weve had dozens of movies like The Blair Witch Project. In the 20 years since its release, it has transformed the horror landscape, and more besides. Found footage is now a sub-genre in itself thanks to it. How many horror movies have we seen claiming: This all really happened, honest? How many occult symbols and folk myths have crossed our screens? How many gung-ho teens have set off on an adventure, never to return? And how many times has a gimmicky horror reaped rewards for virtually no outlay? Blair Witch did not invent all these tricks but it put them together to create a phenomenon. It is the 21st centurys Exorcist………………………………………………….”
Yes, ‘New Mutants’ is still coming, Probably.
Jean Grey comes into her powers in ‘Dark Phoenix’.
“The X-Men are part of the Disney family now, and never has that felt clearer than at the studio’s CinemaCon presentation Wednesday.
Disney touted both Dark Phoenix and New Mutants as part of its upcoming slate, alongside the usual Avengers and Star Wars and Pixa
What exactly the X-Men’s future looks like at the Mouse House, though, remains unclear.
Deadpool clearly isn’t going anywhere. “You’ll be seeing more of Deadpool in the years ahead,” promised studio chairman Alan Horn, after sharing Ryan Reynolds’ cheeky tweet about Fox joining Disney.
And New Mutants, despite delayed release dates, reports of reshoots, and rumors of a straight-to-streaming distribution plan, does seem to be headed to cinemas — it was included on a slide of Disney’s 2019 theatrical releases.
But the core X-Men franchise led by James McAvoy, Michael Fassbender, Jennifer Lawrence, and Sophie Turner is evidently coming to a conclusion. Dark Phoenix, out this summer, was described by 20th Century Fox’s Emma Watts as “the perfect sendoff” to the X-Men series……………………………………………………….”
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