Queen on tour — and not on the edge of splitting up — in 1984, the year before Live Aid.
And while that’s great for the band’s legacy — proof once again that its music has universal appeal — it also means that a surprising amount of untruths are now enshrined as the biography best known to the moviegoing public.
Before you dismiss that as a necessary evil of storytelling, consider this: When you dig into the band’s actual history, the true version of their tale is, in almost every instance, far more dramatically interesting. Queen was larger than life, and certainly larger than the standard-issue music biopic cliches that populate Bohemian Rhapsody.
Case in point: the band’s origin story.
As It Began
In the movie, a shy young Farrokh Bulsara (calling himself Freddie, but not yet Mercury) introduces himself to Brian May and Roger Taylor, guitarist and drummer of a band called Smile.
Smile’s lead singer Tim Staffell has quit to join another group called Humpy Bong (fact check: true). Brian and Roger are suspicious of this newcomer with the big teeth until he sings a few bars of May and Staffell’s song “Doin’ Alright.”
In real life, however, Freddie and Tim were good friends who went to the same art college. Freddie got to know Brian and Roger through Tim, and started running a flea market stall in Kensington with Roger in 1969.
Their friendship went through a year-long comedy of errors, in which Freddie became lead singer of a Liverpool-based band called Ibex, traipsing up and down England while he and the two other future members of Queen actually moved in together back in London.
Freddie quit Ibex. Tim quit Smile. And still these three lunkheads didn’t figure out for weeks that history wanted them to be in a band together.
Tell me that isn’t a perfect Hollywood meet-cute montage sequence.
The first gig
The movie shows bass player John “Deaky” Deacon joining the lineup immediately; in fact, the band would go through three bass players in quick succession before finding him.
It also features an iconic moment where Freddie gets frustrated and rips off the top half of the mic stand for more on-stage mobility; this did in fact happen, but while he was singing with Ibex……………………………………………….”
Princess Diana was set to star in sequel to The Bodyguard with Kevin Costner
Actor has confirmed the late Princess of Wales was keen to play role after conversations instigated by Sarah Ferguson
“Kevin Costner has confirmed that the late Princess of Wales was set to star alongside him in a sequel to 1992 hit The Bodyguard, in which he starred as an agent assigned to protect a pop star played by Whitney Houston.
Speaking to PeopleTV, Costner said that he, Diana and producers were eager to get the project off the ground.”
The 10 best films of 2019 (so far)
“It’s been a rough ride, but here we finally are at the end of a long year. Pop the champagne! Raise your glasses! We’ve done it, guys! We’ve suffered and struggled and lived to tell the tale!
Except, wait… what’s that you’re telling me? We’re only halfway through 2019? And we need to do all of this all over again before we’re finally done with this year?
Well, at least we’ve got the movies to help pass the time. The first half of 2019 has already given us so many new films to treasure — to laugh at, marvel at, ponder, or feel omg-so-SEEN by. Here are some of our favorites so far:
10. John Wick: Chapter 3 – Parabellum
The third entry in the John Wick saga digs ever deeper into the gloriously absurd mythology of this particular underworld, turning up killer dogs, gold-minting factories, punctilious bureaucrats, and even a handful of gushing John Wick fanboys………………………”
Why the dance numbers in the new ‘Aladdin’ are so disappointing
‘Remember the steps. Remember your training. Do not embarrass us.’
“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.
From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).
So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.
Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”
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