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Critics fall for Wakanda and the entire ‘Black Panther’ cast

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There’s a new king in town and his name is T’Challa. Marvel’s Black Panther won’t open in theaters for another two weeks, but the reviews are in.

As Mashable’s Angie Han wrote, this feels like more than a regular movie, whether because of widespread love for the character or audiences’ craving for nonwhite representation on screen.

A few years ago – and even now – this would have been any easy job to botch, but director Ryan Coogler and his formidable cast delivered.

As of this writing, Black Panther is currently rocking a 100% on Rotten Tomatoes, with 48 reviews.

For more on what critics thought of Black Panther (spoiler-free), read on.

The women of Wakanda (especially Shuri) rule

Kendra James, Shondaland:

Having three women working together without conflict (and all dark skinned with nary a loose curl or straight hair in sight) in a blockbuster film is still a novelty in 2018. Coogler forces his audience to, for the first time in the MCU, acknowledge the power of Black women. There is Nakia (Nyong’o), a spy who considers it her mission in life to surreptitiously help the disenfranchised on the continent. T’Challa’s sister, Shuri (Wright), is a teenage genius who leads the country’s scientific endeavors. She’s also Marvel’s first true style icon, and should have an Ivy Park line created in her honor immediately. As General Okoye, Gurira is the actual personification of #Goals; a woman who stands firm in her beliefs, is a primary adviser to the king and his mother (Angela Bassett), and who could definitely take out Black Widow even on her worst day.

Joelle Monique, Polygon:

Shuri is a revelation. Wright steals every scene with her bright smile and perfect comedic timing. From a brazen middle finger to a sense of fashion and confidence in the face of imminent danger, Shuri is an inspiration for all. I cannot fully express the joy of seeing a smart, carefree, nonsexualized young black woman on the big screen…There isn’t a Black Widow sex symbol here, or a Pepper Potts standing in the wings. The women of Black Panther are vital to Wakanda’s success.

Jamie Broadnax, Black Girl Nerds:

She steals damn near every scene in the film, and I’m 110% confident that audiences will walk away talking about Shuri long after the film ends. I’m also confident that Wright would be able to hold a Shuri Black Panther solo movie on her own.  Let’s remember that in comic book canon (during the Reginald Hudlin run), Shuri takes on the Black Panther mantle and becomes ruler of Wakanda. It would only make sense to bring in a Shuri movie at this point. I also would like to add that the focus on her being the smartest person in the universe is strong here, and many characters in the Marvel universe—including Tony Stark himself—have a lot to learn from Shuri’s technology and skills.

A milestone for representation

Joelle Monique, Polygon:

In showing the legacy of Wakanda, which is filled with wealth and knowledge, and juxtaposing it with the hardships that black youths faced in Oakland, Coogler establishes a conversation around the dichotomy of being African-American versus African…Black Panther seeks to find a middle ground between these two worlds: a world where black Americans aren’t left out of the cultural celebration of their West African roots, and where greedy people don’t have an opportunity to consume Wakanda. By focusing on the citizens of Wakanda and their disagreements on how to manage the country’s future, Coogler creates a sense of harmonic anarchy.

Jamie Broadnax, Black Girl Nerds:

it’s afro-futuristic and Blackity-black as hell.  It’s everything I’ve ever desired in a live-action version of this popular superhero and yet so much more. Quite frankly, the experience is indescribable. I left the theater wanting to see this movie at least 10 more times. I already know that Black Panther‘s weight in gold at the box office will be in repeat viewings, because we just won’t want this cinematic experience to end.

Marc Bernardin, Nerdist:

The film does deal head-on with issues of race, subjugation, and oppression in ways both heartbreaking and hilarious. At one point, a young black boy in a rundown apartment in Oakland, California (Coogler’s hometown), dismisses the idea of Wakanda itself: What good is “a kid in Oakland, running around believing in fairy tales”? Coogler answers that question with the film itself: Here is a fairy tale for children who rarely get them, and never like this. What’s more, the final coda is as direct an address to the xenophobia at home in our current administration as that which you’ll find in any film this year, let alone a giant Marvel movie.

Kendra James, Shondaland:

The 31-year-old director has just three feature films under his belt — “Fruitvale Station” (2013), “Creed” (2015), and “Black Panther”— but these three films (which all feature astounding performances by Jordan) share a similar point of view: that the black experience is nuanced and it is varied. We are parents. We span socio-economic statuses. We live with disabilities. We might live delightfully ordinary lives, or we might be superheroes. But no matter where we fall in life, we’re still affected by the lasting (and ongoing) effects that whiteness has had on black people everywhere.
It’s imperative to understand the point of view Coogler brings to “Black Panther,” as it is the scaffolding T’Challa (the Black Panther’s secret identity, played by Boseman) and the rest of Wakanda stand on.

Magical world building

Joelle Monique, Polygon:

With everyone lined up, it’s easy to see that Ruth E. Carter deserves an Oscar for her costume design. Her use of colors is masterful; the palette is distinctly African, and so striking as to make me long for the days of Technicolor.
Wakanda is the African dream. Unsullied by colonization, it is the most technically advanced civilization in the world. It looks like the most technically advanced place in the world, too.
All of Wakanda is constructed in harmony with the natural features of the land. Production designer Hannah Beachler has created some of the most unique sci-fi spaces in recent memory.

Manohla Dargis, The New York Times:

Buoyed by its groovy women and Afrofuturist flourishes, Wakanda itself is finally the movie’s strength, its rallying cry and state of mind. Early on, a white character carelessly describes it as “a third world country — textiles, shepherds, cool outfits.” Part of the joke, which the movie wittily engages, is that Wakanda certainly fits that profile except that its shepherds patrol the border with techno-wizardry, and its textiles and costumes dazzle because of the country’s secret vibranium sauce. More critically, having never been conquered, Wakanda has evaded the historical traumas endured by much of the rest of Africa, freeing it from the ravages of both colonialism and postcolonialism.

Marc Bernardin, Nerdist:

It’s as if everyone enlisted to bring the project to life understood the magnitude of what Black Panther, the first comic-based studio movie with a black hero at the center since 1998’s Blade, would represent. The chance to fill every corner of their fictional Wakanda with the same level of craft and detail usually reserved for British-star-studded period pieces. An opportunity to tell a story about black lives, which matter and are not defined by their pain but, instead, by their glory. An answer to a culture’s question, “When will it be our time in the sun?”

Kendra James, Shondaland:

“Black Panther” is so masterfully shot that its many-hued black actors almost seem to glow. This is how you light melanin. With the help of costume designer Ruth Carter (who must certainly be in contention for an Oscar nomination in 2019 for her work here) and hair department head Camille Friend, director Ryan Coogler has created one of the most visually interesting displays of blackness on screen. “Black Panther” mixes several aesthetics from the African continent (influences came from the Masai, Suri, Ndebele, and Bosotho peoples, among others), and while some may consider it an imperfect display or too much of a melange, the wide-ranging display of black people is astounding.

Black Panther hits theaters nationwide Feb. 16.

Read more: https://mashable.com/2018/02/06/black-panther-review-roundup/

New Movie Reviews

‘Fahrenheit 451’ doesn’t catch fire with HBO adaptation

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“(CNN)Proving you can’t judge a book — or movie — by its cover, “Fahrenheit 451” turns out to be considerably less than the sum of its parts. Featuring the tantalizing tandem of Michael B. Jordan and Michael Shannon, this HBO movie adaptation of Ray Bradbury’s dystopian novel grinds along sluggishly, eclipsed by similar visions (“The Handmaid’s Tale,” anyone?) and becoming one of those films that, alas, looked better on paper.

Jordan’s Montag is, initially, a true believer in his authoritarian mission. He’s destined for a promotion by his boss, Captain Beatty (Shannon), who warns him that “a little knowledge is a dangerous thing,” alluding to the threat of allowing all that book learning to “burst forth like mosquitos, carrying malaria.”
Montag’s eyes are opened, however, by his encounter with Clarisse (Sofia Boutella), who arouses his conscience, introducing him to books and an underground society devoted to disseminating them.

It’s a slow burn, pardon the expression, from Montag’s gradual awakening…”

“Fahrenheit 451” premieres May 19 at 8 p.m. on HBO.

Read more: https://www.cnn.com/2018/05/18/entertainment/fahrenheit-451-review/index.html

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New Movie Reviews

Deadpool 2 Movie Review

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“Two years later, it’s hard to pinpoint exactly what was so enjoyable about the first Deadpool movie. Was it the action? The fourth-wall-breaking? The swearing? The cocaine and masturbation jokes? Well … yes. A hard-R bloodbath that gleefully polluted the pristine sea of squeaky-clean superhero movies, Deadpool went on to make more than $783 million worldwide at the box office. It was the kind of success that guarantees a sequel. Of course, that sequel faced an entirely new problem from its very conception: living up to its predecessor.

In theory, this shouldn’t be that hard. Star Ryan Reynolds and director David Leitch (Atomic Blonde) presumably had more money to work with this time around. The cast is bigger, and includes Atlanta’s Zazie Beetz (the lucky hero Domino) and Thanos himself, Josh Brolin (the cyborg Cable). But there’s one…”

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New Movie Reviews

Here are the first reactions to ‘Solo’: A Star Wars Story’

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“The grungiest, most grunt-level blue collar Star Wars ever and I am here for it.”

Image: Jonathan Olley/Lucasfilm

You’ve never heard of the Millennium Falcon? It’s the ship that made the Kessel run in less than 12 parsecs and it’s sitting on Hollywood Boulevard right now.

Solo: A Star Wars Story has landed, premiering at Hollywood’s Dolby Theater on Thursday, two weeks ahead of its worldwide theater release — and the first reactions are in.

Stars Alden Ehrenreich, Donald Glover, Emilia Clarke, Woody Harrelson, Paul Bettany, and Thandie Newtown, attended the premiere along with Star Wars legends Mark Hamill, Ewan McGregor, and Billy Dee Williams.

A stand-alone anthology film set prior to A New Hope, Solo explores the early rapscallion days of your ol’ pal Han Solo (Ehrenreich), and his ol’ pals Chewbacca (Joonas Suotamo) and Lando Calrissian (Glover), with some new characters in between.

Here are the first reactions from critics and industry folk, fresh from the Hollywood screening. The consensus? She may not look like much but she’s got it where it counts, kid.

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