E! News host Catt Sadler has left the network over a gender wage gap disparity. Sadler learned that her male co-host made significantly more than she did – almost twice as much.
Sadler was recently named co-host of Daily Pop in addition to her role on E! News, and realized around the same time that her salary was disproportionate to her male colleague’s. (She is likely referring to Daily Pop co-host Jason Kennedy, thought she doesn’t name him).
“The gender pay gap is shrinking, although admittedly we have a long way to go,” Sadler wrote in a statement about her exit. “And well, I learned this first hand. My team and I asked for what I know I deserve and were denied repeatedly.”
Sadler said it was difficult to break with the network after 12 years but that she felt compelled to after witnessing the way women stood strong in 2017 (in Hollywood and beyond).
“But how can I operate with integrity and stay on at E if they’re not willing to pay me the same as him?” She said of her co-host and her inner conflict. “Or at least come close? How can I accept an offer that shows they do not value my contributions and paralleled dedication all these years? How can I not echo the actions of my heroes and stand for what is right no matter what the cost? How can I remain silent when my rights under the law have been violated?”
Read Sadler’s full statement, via her official website, below:
I know first hand that dreams do come true. For the past twelve years, I’ve been living mine out loud as one of the hosts on E television. For more than a decade I’ve walked through the doors at E and traveled into people’s living rooms around the world. I’ve reported from a royal wedding, the Olympics, and the Oscars. I’ve been to film festivals in France, movie premieres in Rio, and fashion week in Paris. I’ve gotten chased by the paparazzi on camera while shopping with Kris Jenner, co-hosted shows with Khloe, Kim and Kourtney, and interviewed Kendall and Kylie back in those early Keeping Up days when no one could remember their names. It has been unpredictable, intoxicating, rewarding and hard work. Five days a week since February 2006. First, for The Daily 10 and later for E News.
Then, this year happened. Daily Pop was born. I was named host which meant double duty. Hosting a live, two-hour daytime show while also hosting E News most nights. It was creatively challenging but genuinely one of the most fulfilling years of my professional career. Coincidentally, around this same time an executive from E brought something alarming to my attention — namely, that there was a massive disparity in pay between my similarly situated male co-host and myself. More recently, when E reached out to renew and extend my deal, I learned that he wasn’t just making a little more than I was. In fact, he was making close to double my salary for the past several years.
Information is power. Or it should be. We are living in a new era. The gender pay gap is shrinking, although admittedly we have a long way to go. And well, I learned this first hand. My team and I asked for what I know I deserve and were denied repeatedly.
Know your worth. I have two decades experience in broadcasting and started at the network the very same year as my close friend and colleague that I adore. I so lovingly refer to him as my “tv husband” and I mean it. But how can I operate with integrity and stay on at E if they’re not willing to pay me the same as him? Or at least come close? How can I accept an offer that shows they do not value my contributions and paralleled dedication all these years? How can I not echo the actions of my heroes and stand for what is right no matter what the cost? How can I remain silent when my rights under the law have been violated?
It’s scary. I am a single mother of two boys. The unknown can be terrifying, but it can also be the most beautiful gift. Countless brave women have come forward this year to speak their truth. Females refuse to remain silent on issues that matter most because without our voices, how will we invoke lasting change? How can we make it better for the next generation of girls if we do not stand for what is fair and just today?
It was my desire to stay at my job. To continue entertaining our loyal viewers around the world. To keep working alongside some of the best writers, directors, and producers in the game. Everyone from the studio crew, hair and makeup artists, to the security at the front door are true friends of mine. They have been my work family and I love them dearly. Unfortunately, however, my decision was made for me and I must go.
I will find more work. I will create content with meaning. I will continue to pursue my passions while making my children proud. The way I see it, I have an obligation to be an agent for change.
It was important for me to explain my departure. I did not want to disappear from your television screens and have you wonder why. Thank you for your precious time all these years. Thank you for the support. Thank you for the constant exchange of ideas on social media as well. This chapter is over and a new one begins.
Big big love,
HBO drops new ‘Westworld’ Season 2 photos for you to analyze and obsess over
Evan Rachel Wood is not your Season 1 Dolores anymore
We are so very close to returning to Westworld, which premieres on April 22. HBO just released the very first new images and they are as tantalizing as they are gorgeous.
Some include interesting new developments that hint at where Season 2’s plot will go:
Here we see Maeve with her human capture, as we’ve seen bits of in the trailer.
But something we haven’t seen much of yet is evidence that Maeve goes back to Westworld. Presuming this isn’t a flashback, we’ll see her in the new host-ruled park again.
Talulah Riley had a pretty minimal role in Season 1 as the cheerful host who greeted guests during the flashback scenes. But Deadline reported that she would be taking on a bigger, lead role in Season 2: “She will prove to be one of the last faces many guests will ever see.”
Bernard and corporate shill Charlotte teaming up together? Say it ain’t so, Bernard!
The relationship between Dolores and Teddy is definitely about to take an interesting turn.
And here’s a look at the rest, which include new and returning cast members (who are confirmed not dead):
Welp, now we know why ‘Good Girls Revolt’ was canceled
Jeff Bezos’ Hollywood dreams aren’t just coming true they’re paying off.
Reuters has acquired Amazon financial information that for the first time provides insight into just how profitable and widely watched Amazon’s Prime Originals and streaming service are. Significantly, the documents shed light on the financial strategy of Prime Originals — specifically, how Amazon’s entertainment venture contributes to the growth of its Prime subscriber base, and overall subscription business profitability.
Amazon has never released statistics on its total Prime subscriber numbers. But according to the documents, Amazon Prime has a total U.S. audience of about 26 million viewers, which includes its originals as well as shows it licenses from other companies.
Prime Originals’ top television shows drove 5 million new Prime subscriptions by early 2017, according to the leaked documents. Reuters notes that using entertainment programming to draw customers to a Prime subscription is a key proponent of Amazon’s business strategy, a strategy that Jeff Bezos spoke to at a 2016 technology conference. Bezos said at the same conference that users who come to Prime through entertainment are more likely to convert to full-fledged subscriptions through free trials, renew subscriptions annually at higher rates, and even buy more products. So a Prime subscriber drawn in through Originals programming is a valuable one.
And Amazon knows it.
The documents show that Amazon calculates a direct return on investment for each show, based on what it costs to produce versus how many Prime subscriptions it drives. For example, The Man in the High Castle cost $72 million to produce and market, but drove 1.15 million new Prime subscribers. That comes out to a cost of $63 per new Prime subscriber — which is far less than the annual Prime fee of $99. Cha-ching!
The show Good Girls Revolt didn’t achieve similar success in converting viewers to subscribers. It cost $81 million to produce, but only drove 52,000 “first streams” (i.e. new viewers) on Amazon. That made its cost per new customer $1,560 — more than ten times the cost of a one year prime subscription.
Guess which show is still on the air.
(It’s ‘High Castle‘ — Good Girls Revolt was canceled after its first season despite a massive outcry from fans. Now, we know a bit more about why).
Reuters provides a handy graph to illustrate the direct comparison between a show’s overall cost, and its cost per new subscriber.
Critics have questioned Amazon’s programming decisions, saying at times that they were driven by sexism, at times that it was the experiment of a Hollywood outsider. But these financials show that there is indeed a method to Amazon’s madness.
However, is there a downside to evaluating shows based on the new viewers they bring in, as opposed to how well they’re satisfying existing customers? The documents don’t reveal whether this is part of the cancel vs. renew equation. But for loyal Amazon subscribers and viewers, it’s not a good look.
Whether you approve of Amazon’s apparent new viewer-to-subscriber business strategy, one thing’s for sure: Amazon’s entertainment venture is paying off, big time.
We’re already invested in the ‘Rise’ companion web series
NBC’s Rise — a new show about a group of high school students putting on a musical and their trials and tribulations — is about the kids who are stars. The companion web series, however, focuses on an entirely different part of high school theater: The understudies.
The Understudies‘ digital videos will follow students not at the forefront of Stanton High School’s production of Spring Awakening. Though we find out about the group through Michael (Ellie Desautels), we’ve already got a core cast of stage-starved misfits ready to charm.
The first installment of Understudies isn’t super subtle, focusing mainly on one girl who thinks she deserves a lead in the musical because she put in time with the teacher and did tech for a whole year (tech ≠ acting, so not sure where that experience was going). Instead of plotting any ill will against the main leads, the understudies hang out, bond, and play a game of Never Have I Ever.
The Understudies will total nine episodes throughout Rise‘s first season. Who knows, if the show gets renewed, some of them may get a shot at a lead.
Rise airs Tuesdays at 9 p.m. on NBC.