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From Nico to Tonya Harding, womens true stories are being told on film at last

Charmaine Blake

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I wasnt happy when I was beautiful: the movie Nico, 1988 shows singers resilience in later life, signalling a change in how biopics treat their subjects

“On paper, Nico the Warhol acolyte, singer and fashion model who added international exoticism to the grungy downtown hip of the Velvet Underground would seem to be perfect biopic material.

With her glowering, angular looks and smoky drone of a voice, she was unlike anyone else around at the time. She had a string of romances with beautiful, troubled men. Further boxes are ticked on the biopic checklist by the fact that she struggled with demons heroin was her drug of choice.

But Nico, 1988, the daringly unconventional biopic by Italian director Susanna Nicchiarelli, which has just opened in the US, is not about the singer in her iconic phase. Instead it deals with the last two years of her life: Nico prefers to go by her birth name, Christa Pffgen; she performs avant-garde proto-goth dirges while scowling through her fringe in European dive bars; the decades of addiction have taken their toll, but she doesnt care: I wasnt happy when I was beautiful.

Nicos value to Warhol was inextricably linked to the way she looked. When asked what became of Nico after she left his studio, the Factory, Warhol was dismissive: She became a fat junkie and disappeared. But what interested Nicchiarelli was her resilience. Unlike other Warhol superstars such as Edie Sedgwick and Candy Darling who crashed and burned once their 15 minutes of fame were snatched away, Nico reclaimed herself. Talking at the Rotterdam film festival, Nicchiarelli said, The intriguing thing about Nico was that she survived. She was so much stronger.

Nico,
Nico, centre, and the Velvet Underground. Photograph: Alamy Stock Photo

The focus of this film on unglamorous middle age rather than gilded youth is significant. It is representative of a change in the way biopics for so long dominated by white, male stories approach female subjects. Theres no doubt that we are in the midst of a particularly rich period for female-led real-life dramas. Alongside independent productions such as Nico, 1988 and Christine (about TV news anchor Christine Chubbuck), Hollywood has also got…………………”

Read more: https://www.theguardian.com/film/2018/aug/05/female-biopics-nico-tonya-harding-womens-true-stories-being-told-at-last

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Princess Diana was set to star in sequel to The Bodyguard with Kevin Costner

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Actor has confirmed the late Princess of Wales was keen to play role after conversations instigated by Sarah Ferguson

“Kevin Costner has confirmed that the late Princess of Wales was set to star alongside him in a sequel to 1992 hit The Bodyguard, in which he starred as an agent assigned to protect a pop star played by Whitney Houston.

Speaking to PeopleTV, Costner said that he, Diana and producers were eager to get the project off the ground.”

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The 10 best films of 2019 (so far)

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“It’s been a rough ride, but here we finally are at the end of a long year. Pop the champagne! Raise your glasses! We’ve done it, guys! We’ve suffered and struggled and lived to tell the tale!

Except, wait… what’s that you’re telling me? We’re only halfway through 2019? And we need to do all of this all over again before we’re finally done with this year?

Ugh.

Well, at least we’ve got the movies to help pass the time. The first half of 2019 has already given us so many new films to treasure — to laugh at, marvel at, ponder, or feel omg-so-SEEN by. Here are some of our favorites so far:

10. John Wick: Chapter 3 – Parabellum

The third entry in the John Wick saga digs ever deeper into the gloriously absurd mythology of this particular underworld, turning up killer dogs, gold-minting factories, punctilious bureaucrats, and even a handful of gushing John Wick fanboys………………………”

See the rest of the list here…

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Why the dance numbers in the new ‘Aladdin’ are so disappointing

Charmaine Blake

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‘Remember the steps. Remember your training. Do not embarrass us.’

Image: Daniel Smith/disney

“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.

From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).

So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.

Image: giphy

Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”

Read more: https://mashable.com/article/aladdin-dancing/

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