The Golden Globes are known for being random, for both clarifying in some respects the awards race by being the first major show (though the voting body has little overlap with those who vote for the Oscars) and for throwing a total wrench into it. Those Globes choices are supposed to be as unpredictable and silly as the boozed-up show itself! At least, historically speaking.
So its alternately surprising and refreshing that theres little to rage about Monday morning with the ultimate slate of nominees, which were led on the film side by The Shape of Water (7 nods), The Post (6), and Three Billboards Outside Ebbing, Missouri (6), and on the TV end by Big Little Lies (6 nods) and Feud: Bette and Joan (4).
Oh, theres still enough to be huffy about. But hardly on the level of Burlesque or The Tourist being a Best Picture nominee, and barely a Who? showing up in the TV races. (Those merit a reaction more like interesting instead.)
There are certainly reasons to harrumph. In a year when the female-led Beauty and the Beast and Wonder Woman are the highest-grossing films of the year and Lady Bird is the best-reviewed, its certainly disheartening and arguably tone-deaf to see a Best Director category lacking any female contenders. (Justice for Patty Jenkins and Greta Gerwig, though the latter did have a good morning when it comes to Lady Bird nominations.)
The Big Sick
Best Comedy or Musical is always the wildest Globes category. Usually thats for what they choose to include, not for who they snub completely. The Big Sick was thought to be a deserved shoo-in in the comedy categories, but instead got shut out in favor of nominations for the Globes-friendly circus musical The Greatest Showman (which we are barred from officially talking about yet) and, perhaps more confusingly, a scene-chewing supporting performance from Steve Carell in Battle of the Sexes where lead actor Kumail Nanjiani deserved to be.
All the Money in the World
Is the Hollywood Foreign Press just bragging that it’s seen Ridley Scotts 11th hour heroism by handing out major nominations to All the Money in the World? This is infamously the J. Paul Getty thriller that was rushed into reshoots following allegations of sexual misconduct against former star Kevin Spacey, with the cast reuniting to re-film the disgraced actors scenes with Christopher Plummer in the role instead over the Thanksgiving holiday. Though critics have yet to weigh in on the film, the HFPA is rewarding that nobility with nominations for Scott in the competitive Best Director race, Plummer in Best Supporting Actor, and, most surprisingly, Michelle Williams in Best Actress in a Drama.
Jordan Peele – Get Out
Ridley Scott and All the Money in the World, perhaps because of its last-minute finessing, has yet to become a major part of the awards conversation. Someone who has, however, is Jordan Peele, whose Get Out contends for major awards including Best Comedy and Best Comedy Actor (Daniel Kaluuya) but is confusingly absent from the Best Director and Best Screenplay categories. Peele is exactly the type of rising star celebrity filmmaker that the Globes tend to toss trophies out to (and he deserves it, to boot), making his exclusion this morning in favor of more traditional nomineesthat Best Director category is an establishment snoozea little out of character for the wild card Globes.
Greta Gerwig – Lady Bird
Its not that Lady Bird had a poor showing. Far from it, with the film nabbing four big nominations: Best Comedy, Best Actress (Saoirse Ronan), Best Supporting Actress (Laurie Metcalf), and a Best Screenplay nod for Gerwig herself. But Gerwig has been racking up nods for directing the popular film at most critics awards, and has been pegged as the best chance at a rare female director nomination at this years Oscars. There hasnt been one since Kathryn Bigelow won in 2009. With Gerwig, Wonder Womans Patty Jenkins, Mudbounds Dee Rees, and First They Killed My Fathers Angelina Jolie all in contention this year, we wouldve thought that the Globes could found room in their otherwise stuffy Best Director category (Guillermo Del Toro, Ridley Scott, Steven Spielberg, Christopher Nolan, and Martin McDonagh … groundbreaking) for a female voice.
Ansel Elgort – Baby Driver
The fun of the Golden Globes is typically the inclusion of left-field contenders who, because they star in comedies, havent been part of the more staid awards conversation. In the movie categories, at least, the Globes seem to be toeing the party line, with the exception of Ansel Elgorts surprise Best Actor in a Comedy or Musical nod for Baby Driver.
Luca Guadagnino and James Ivory – Call Me By Your Name
Guadagninos succulent Italy-set romance Call Me By Your Name certainly did well at the Globes this morning, with nominations for Best Drama and stars Timothe Chalamet and Armie Hammer. But the films helmer, Guadagnino, is thought to be a major contender for the Best Director Oscar (which had seemingly little room for outside the box nominees this year) and even more so in the Best Adapted Screenplay category for James Ivorys script. This could be a silly case where both the eventual Best Original Screenplay (Peeles Get Out) and Best Adapted Screenplay (Ivorys Call Me By Your Name) Oscar winners arent even nominated by the Globes.
Mariah Carey and Nick Jonas
The HFPAs reputation for being wooed by big stars seems remarkably restrained in the acting categories this year, but returns guns-a-blazing in Best Original Song, where tunes from Mariah Carey and Nick Jonas appear (for The Star and Ferdinand, respectively) at the expense of tracks from Sufjan Stevens (Call Me By Your Name), Andra Day and Common (Marshall), and even the seemingly Globes-friendly Beauty and the Beast. Speaking of
Beauty of the Beast and Wonder Woman
Did the reviews for Disneys massive live-action adaptation of its popular animated musical really merit major Globe nods? Certainly not. But its status as the highest-grossing film of the year wouldve excused an inclusion in Best Comedy or Musical, or even a crazy nod for Emma Watsons leading performance. Honestly, between Beauty and the Beast and Wonder Woman, which barely trails behind the musical in the year-end haul, it might have been nice for box-office girl power to be reflected at the Globes.
Was it all that grumbling over the fact that it kept showing up (fairly ridiculously) on so many best movies of the year lists that kept the Showtime Twin Peaks revival from where it belonged, on the Best Limited Series shortlist at the Globes? At least star Kyle MacLachlan snuck in.
Jessica Biel – The Sinner
Then again, Limited Series is where the HFPA really embraced its fast-and-loose reputation this year and nominated Jessica Biel and her USA thriller in the major categories. Listen, her show is great and fun! Its not a bad nomination per se. Its just that these are two of the most competitive categories, and its a tad jarring to see Biels name alongside the likes of Jessica Lange, Susan Sarandon, Nicole Kidman, and Reese Witherspoon instead of, say, Oprah Winfrey, Carrie Coon, or Felicity Huffman.
Despite its three-year reign as the Emmys Best Comedy and Julia Louis-Dreyfuss record six wins as Best Actress, Veep has never won a Golden Globe in any category. And this year, its not even nominated.
Curb Your Enthusiasm
Neither is Larry Davids return to Curb Your Enthusiasm, which returned after six years with the kind of fanfare that the Globes typically salivate over, but was rewarded with bupkus Monday morning. And Curb actually won the Best Comedy award in 2003…
Will & Grace
Which is more than Will & Grace can say. Its been nominated 29 times for a Golden Globe, seven times for Best Comedy, and has never won once. It contends this year again in Best Comedy for its celebrated revival season, but, strangely, Eric McCormack is the only cast member of the critically beloved quartet of stars with a corresponding acting nomination.
Freddie Highmore – The Good Doctor
The Globes love to throw nominations at hot new shows and actors, which this year weirdly means rewarding the star of ABCs Doogie Howser-esque medical drama, The Good Doctors Freddie Highmore. The shows rampant popularity hasnt ceased to stun critics, so maybe Highmores Globes nod shouldnt be surprising either, even though his inclusion came at the expense of more traditional contenders Matthew Rhys (The Americans), Rami Malek (Mr. Robot), and even Globes favorite James Franco (The Deuce).
Katherine Langford – 13 Reasons Why
Weve been wondering if and when the massive popularity of the obsessively bingedand obsessively debated13 Reasons Why would reflect in awards season, and a Globes nomination for its buzzy star seems perfectly appropriate. The Globes love to crown an ingenue, which means Langfords nomination left Winona Ryder (Stranger Things), Keri Russell (The Americans), and Viola Davis (How to Get Away With Murder) out in the cold.
The Globes love to embrace new shows, and this year one show in particular reaped the benefits of its unpredictable fondness for new blood: SMILF, and its star Frankie Shaw. The scrappy, if uneven, Showtime series joins The Marvelous Mrs. Maisel and its star Rachel Brosnahan as this years shiny new things at the Globes.
Kevin Bacon – I Love Dick
I loved I Love Dick. But I wouldve thought any awards attention for the hyper-feminist Amazon series would go to its exhaustless female star, Kathryn Hahn. Or is Kevin Bacons inclusion in Best Comedy Actor filling the slot typically reserved for Transparent star Jeffrey Tambor? Both shows were created by Jill Soloway, and Tambor has won this category before. But given the turmoil over sexual misconduct allegations against him, its hardly a surprise that he was skipped over this year.
The Leftovers and The Good Place
After all our dissection of the nominations, wed be remiss if we didnt point out that 2017s actual best drama series and actual best comedy series left with zero nominations.
How ‘Captain Marvel’ pays tribute to the late, great Stan Lee
Stan Lee at the premiere of Marvel’s ‘Captain America: Civil War’ in 2016.
“In keeping with Marvel Cinematic Universe, Captain Marvel features a Stan Lee cameo. What is a little different this time, though, is how it plays out in the movie.
Shortly after Vers (a.k.a. Carol Danvers, a.k.a. Captain Marvel) lands on Earth, she finds herself on a train, trying to spot the shapeshifting Skrull among all the ordinary-looking human passengers.
At one point, her eyes fall upon an elderly man conspicuously reading a Mallrats script. It’s Stan Lee, practicing his lines for his cameo in that other movie. “Trust me, true believer,” he mutters to himself. You can watch that entire Mallrats scene below:
The Captain Marvel scene was originally written by directors Anna Boden and Ryan Fleck as just another fun, funny appearance by the comics legend. But after his passing in November, the filmmakers felt compelled to update the sequence to acknowledge the “gravitas” of the moment.
“Instead of just the pure laugh we had, we had a little bit of a smile from Captain Marvel in response to it, and she kind of breaks character for a moment,” Boden told me during an interview in Los Angeles last month. “I think it reflects a little bit of what the audience is feeling, and we allowed that to happen.”
In the finished cut of Captain Marvel, Vers’ gaze lingers on him for a few moments and she smiles to herself, before moving on with the rest of her quest. At the screening I attended, the audience definitely appreciated the homage – there were sighs, moans, and even a smattering of applause.
That cameo is actually the second of two Lee shout-outs in the film. The first occurs right at the start. The usual Marvel Studios opening fanfare is replaced by a special Lee-centric version, featuring all his many cameos across various Marvel movies……………………………………………….”
‘A Star Is Born’ takes a theatrical victory lap with bonus footage
Lady Gaga and Bradley Cooper in ‘A Star Is Born.’
“After winning an Oscar for best original song, A Star Is Born is returning to theaters for one week with some new bonus footage.
A Star Is Born is taking its Oscar victory lap starting on Friday at more than 1,100 theaters, giving fans and new viewers a chance to see 12 minutes of bonus footage, The Hollywood Reporter reported Wednesday. The new footage includes extended song performances, new song performances, and Lady Gaga’s a cappella rendition of “Shallow.”
“Shallow,” written by Lady Gaga, Mark Daniel Ronson, Anthony Rossomando, and Andrew Wyatt, earned the movie Best Original Song at the Academy Awards on Sunday. A Star Is Born was nominated for a total eight awards, including Best Picture. “Shallow” also earned two Grammys earlier in February………………………………………………………..”
Here’s a complete list of every winner at the 2019 Oscars
“Welcome to the 2019 Oscars, where it’s Queen vs. Queen Anne, A Star Is Born‘s fourth time up to bat, a victory lap for Wakanda fans, and so much more.
Last year was packed with some incredible films. In a tight race to determine the best of the best (according to the Academy of Motion Picture Arts and Sciences), it all comes down to one big night at the Dolby Theater in Hollywood.
Below, updating live, are all the winners at the 91st Academy Awards — and the Oscar goes to…
Green Book — WINNER
A Star Is Born
Christian Bale, Vice
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody — WINNER
Viggo Mortensen, Green Book
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite — WINNER
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?
Best Supporting Actor
Mahershala Ali, Green Book — WINNER
Adam Driver, BlacKkKlansman
Sam Elliott, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Sam Rockwell, Vice
Best Supporting Actress
Amy Adams, Vice
Marina de Tavira, Roma
Regina King, If Beale Street Could Talk — WINNER
Emma Stone, The Favourite
Rachel Weisz, The Favourite
Spike Lee, BlacKkKlansman
Pawel Pawlikowski, Cold War
Yorgos Lanthimos, The Favourite
Alfonso Cuarón, Roma — WINNER
Adam McKay, Vice………………………………………………………………………………”
See the rest of the list here: https://mashable.com/article/oscars-winners-list-2019/
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