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Golden Globes Snubs and Surprises: No Female Directors? Wheres Wonder Woman?

Charmaine Blake

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The Golden Globes are known for being random, for both clarifying in some respects the awards race by being the first major show (though the voting body has little overlap with those who vote for the Oscars) and for throwing a total wrench into it. Those Globes choices are supposed to be as unpredictable and silly as the boozed-up show itself! At least, historically speaking.

So its alternately surprising and refreshing that theres little to rage about Monday morning with the ultimate slate of nominees, which were led on the film side by The Shape of Water (7 nods), The Post (6), and Three Billboards Outside Ebbing, Missouri (6), and on the TV end by Big Little Lies (6 nods) and Feud: Bette and Joan (4).

Oh, theres still enough to be huffy about. But hardly on the level of Burlesque or The Tourist being a Best Picture nominee, and barely a Who? showing up in the TV races. (Those merit a reaction more like interesting instead.)

There are certainly reasons to harrumph. In a year when the female-led Beauty and the Beast and Wonder Woman are the highest-grossing films of the year and Lady Bird is the best-reviewed, its certainly disheartening and arguably tone-deaf to see a Best Director category lacking any female contenders. (Justice for Patty Jenkins and Greta Gerwig, though the latter did have a good morning when it comes to Lady Bird nominations.)

The Big Sick

Best Comedy or Musical is always the wildest Globes category. Usually thats for what they choose to include, not for who they snub completely. The Big Sick was thought to be a deserved shoo-in in the comedy categories, but instead got shut out in favor of nominations for the Globes-friendly circus musical The Greatest Showman (which we are barred from officially talking about yet) and, perhaps more confusingly, a scene-chewing supporting performance from Steve Carell in Battle of the Sexes where lead actor Kumail Nanjiani deserved to be.

All the Money in the World

Is the Hollywood Foreign Press just bragging that it’s seen Ridley Scotts 11th hour heroism by handing out major nominations to All the Money in the World? This is infamously the J. Paul Getty thriller that was rushed into reshoots following allegations of sexual misconduct against former star Kevin Spacey, with the cast reuniting to re-film the disgraced actors scenes with Christopher Plummer in the role instead over the Thanksgiving holiday. Though critics have yet to weigh in on the film, the HFPA is rewarding that nobility with nominations for Scott in the competitive Best Director race, Plummer in Best Supporting Actor, and, most surprisingly, Michelle Williams in Best Actress in a Drama.

Jordan Peele – Get Out

Ridley Scott and All the Money in the World, perhaps because of its last-minute finessing, has yet to become a major part of the awards conversation. Someone who has, however, is Jordan Peele, whose Get Out contends for major awards including Best Comedy and Best Comedy Actor (Daniel Kaluuya) but is confusingly absent from the Best Director and Best Screenplay categories. Peele is exactly the type of rising star celebrity filmmaker that the Globes tend to toss trophies out to (and he deserves it, to boot), making his exclusion this morning in favor of more traditional nomineesthat Best Director category is an establishment snoozea little out of character for the wild card Globes.

Greta Gerwig – Lady Bird

Its not that Lady Bird had a poor showing. Far from it, with the film nabbing four big nominations: Best Comedy, Best Actress (Saoirse Ronan), Best Supporting Actress (Laurie Metcalf), and a Best Screenplay nod for Gerwig herself. But Gerwig has been racking up nods for directing the popular film at most critics awards, and has been pegged as the best chance at a rare female director nomination at this years Oscars. There hasnt been one since Kathryn Bigelow won in 2009. With Gerwig, Wonder Womans Patty Jenkins, Mudbounds Dee Rees, and First They Killed My Fathers Angelina Jolie all in contention this year, we wouldve thought that the Globes could found room in their otherwise stuffy Best Director category (Guillermo Del Toro, Ridley Scott, Steven Spielberg, Christopher Nolan, and Martin McDonagh … groundbreaking) for a female voice.

Ansel Elgort – Baby Driver

The fun of the Golden Globes is typically the inclusion of left-field contenders who, because they star in comedies, havent been part of the more staid awards conversation. In the movie categories, at least, the Globes seem to be toeing the party line, with the exception of Ansel Elgorts surprise Best Actor in a Comedy or Musical nod for Baby Driver.

Luca Guadagnino and James Ivory – Call Me By Your Name

Guadagninos succulent Italy-set romance Call Me By Your Name certainly did well at the Globes this morning, with nominations for Best Drama and stars Timothe Chalamet and Armie Hammer. But the films helmer, Guadagnino, is thought to be a major contender for the Best Director Oscar (which had seemingly little room for outside the box nominees this year) and even more so in the Best Adapted Screenplay category for James Ivorys script. This could be a silly case where both the eventual Best Original Screenplay (Peeles Get Out) and Best Adapted Screenplay (Ivorys Call Me By Your Name) Oscar winners arent even nominated by the Globes.

Mariah Carey and Nick Jonas

The HFPAs reputation for being wooed by big stars seems remarkably restrained in the acting categories this year, but returns guns-a-blazing in Best Original Song, where tunes from Mariah Carey and Nick Jonas appear (for The Star and Ferdinand, respectively) at the expense of tracks from Sufjan Stevens (Call Me By Your Name), Andra Day and Common (Marshall), and even the seemingly Globes-friendly Beauty and the Beast. Speaking of

Beauty of the Beast and Wonder Woman

Did the reviews for Disneys massive live-action adaptation of its popular animated musical really merit major Globe nods? Certainly not. But its status as the highest-grossing film of the year wouldve excused an inclusion in Best Comedy or Musical, or even a crazy nod for Emma Watsons leading performance. Honestly, between Beauty and the Beast and Wonder Woman, which barely trails behind the musical in the year-end haul, it might have been nice for box-office girl power to be reflected at the Globes.

Twin Peaks

Was it all that grumbling over the fact that it kept showing up (fairly ridiculously) on so many best movies of the year lists that kept the Showtime Twin Peaks revival from where it belonged, on the Best Limited Series shortlist at the Globes? At least star Kyle MacLachlan snuck in.

Jessica Biel – The Sinner

Then again, Limited Series is where the HFPA really embraced its fast-and-loose reputation this year and nominated Jessica Biel and her USA thriller in the major categories. Listen, her show is great and fun! Its not a bad nomination per se. Its just that these are two of the most competitive categories, and its a tad jarring to see Biels name alongside the likes of Jessica Lange, Susan Sarandon, Nicole Kidman, and Reese Witherspoon instead of, say, Oprah Winfrey, Carrie Coon, or Felicity Huffman.

Veep

Despite its three-year reign as the Emmys Best Comedy and Julia Louis-Dreyfuss record six wins as Best Actress, Veep has never won a Golden Globe in any category. And this year, its not even nominated.

Curb Your Enthusiasm

Neither is Larry Davids return to Curb Your Enthusiasm, which returned after six years with the kind of fanfare that the Globes typically salivate over, but was rewarded with bupkus Monday morning. And Curb actually won the Best Comedy award in 2003…

Will & Grace

Which is more than Will & Grace can say. Its been nominated 29 times for a Golden Globe, seven times for Best Comedy, and has never won once. It contends this year again in Best Comedy for its celebrated revival season, but, strangely, Eric McCormack is the only cast member of the critically beloved quartet of stars with a corresponding acting nomination.

Freddie Highmore – The Good Doctor

The Globes love to throw nominations at hot new shows and actors, which this year weirdly means rewarding the star of ABCs Doogie Howser-esque medical drama, The Good Doctors Freddie Highmore. The shows rampant popularity hasnt ceased to stun critics, so maybe Highmores Globes nod shouldnt be surprising either, even though his inclusion came at the expense of more traditional contenders Matthew Rhys (The Americans), Rami Malek (Mr. Robot), and even Globes favorite James Franco (The Deuce).

Katherine Langford – 13 Reasons Why

Weve been wondering if and when the massive popularity of the obsessively bingedand obsessively debated13 Reasons Why would reflect in awards season, and a Globes nomination for its buzzy star seems perfectly appropriate. The Globes love to crown an ingenue, which means Langfords nomination left Winona Ryder (Stranger Things), Keri Russell (The Americans), and Viola Davis (How to Get Away With Murder) out in the cold.

SMILF

The Globes love to embrace new shows, and this year one show in particular reaped the benefits of its unpredictable fondness for new blood: SMILF, and its star Frankie Shaw. The scrappy, if uneven, Showtime series joins The Marvelous Mrs. Maisel and its star Rachel Brosnahan as this years shiny new things at the Globes.

Kevin Bacon – I Love Dick

I loved I Love Dick. But I wouldve thought any awards attention for the hyper-feminist Amazon series would go to its exhaustless female star, Kathryn Hahn. Or is Kevin Bacons inclusion in Best Comedy Actor filling the slot typically reserved for Transparent star Jeffrey Tambor? Both shows were created by Jill Soloway, and Tambor has won this category before. But given the turmoil over sexual misconduct allegations against him, its hardly a surprise that he was skipped over this year.

The Leftovers and The Good Place

After all our dissection of the nominations, wed be remiss if we didnt point out that 2017s actual best drama series and actual best comedy series left with zero nominations.

Read more: https://www.thedailybeast.com/golden-globes-snubs-and-surprises-no-female-directors-wheres-wonder-woman

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‘Fortnite’ composer Pinar Toprak will score ‘Captain Marvel’

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Image: Brian To/FilmMagic

“Turkish-American composer Pinar Toprak has been hired to compose the score for Captain Marvel, which will premiere in March of next year.

Even if you’re not a film score buff, there’s a good chance you’re already familiar with Toprak’s work. In addition to writing additional music for Justice League in 2017, she is responsible for some of the incredibly catchy music from Fortnite. Yes, the stuff that is stuck in your head all the time…….”

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‘Incredibles 2’ breaks box office records with a whopping $180 million

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Image: disney pixar

“For every unmitigated disaster like Solo, there are multiple other box office hits for Disney. Incredibles 2 is the latest.

The 14-years-later sequel is on a pace to finish off its opening weekend with a $180 million box office haul in the United States. That’s the highest opening to date for any animated release, and for any PG-rated release as well. It’s also the eighth-largest domestic opening weekend ever, overall.

Incredibles 2 soars past another Pixar sequel, Finding Dory, the previous top animated opener. The Finding Nemo sequel launched in 2016 on the same June weekend as Incredibles 2, but it only (only!) managed to pull in $135.1 million in its first three days.

The new $180 million bar will be a tough one for future competitors to beat, though even that record is bound to eventually fall. Inflation and rising ticket prices all but ensure it.

Disney currently has three recent releases in the weekend box office top 10. Solo: A Star Wars Story comes in at #4 on this weekend’s chart, with an estimated $9.1 million. That brings its domestic total up to $192.8 million.

Solo will probably cross $200 million domestic in the next week or two, but it’s currently the lowest-earning live action Star Wars movie to date. There’s even some question at this point as to whether or not it will manage to beat The Empire Strikes Back. Not accounting for inflation, that second-ever Star Wars movie ended its box office run in 1980 with $209.4 million.

Disney’s lowest entrant on this weekend’s box office top 10 is Avengers: Infinity War, at #8. The April 2018 release is still kicking in its eight week after hitting theaters. It picked up an estimated $5.3 million this weekend…..”

Read more: https://mashable.com/2018/06/17/incredibles-2-opening-weekend-box-office-records/

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Apple and Oprah sign a multi-year partnership on original content

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Apple announced today a multi-year content partnership with Oprah Winfrey to produce programs for the tech company’s upcoming video-streaming service. Apple didn’t provide any specific details as to what sort of projects Winfrey would be involved in, but there will be more than one it seems.

Apple shared the news of its deal with Winfrey in a brief statement on its website, which read:

Apple today announced a unique, multi-year content partnership with Oprah Winfrey, the esteemed producer, actress, talk show host, philanthropist and CEO of OWN.

Together, Winfrey and Apple will create original programs that embrace her incomparable ability to connect with audiences around the world.

Winfrey’s projects will be released as part of a lineup of original content from Apple.

The deal is a significant high-profile win for Apple, which has been busy filing out its lineup with an array of talent in recent months.

The streaming service also will include a reboot of Steven Spielberg’s Amazing Storiesa Reese Witherspoon- and Jennifer Aniston-starring series set in the world of morning TVan adaptation of Isaac Asimov’s Foundation books, a thriller starring Octavia Spencer, a Kristen Wiig-led comedy, a Kevin Durant-inspired scripted basketball show, a series from “La La Land’s” director and several other shows.

Winfrey, however, is not just another showrunner or producer. She’s a media giant who has worked across film, network and cable TV, print and more as an actress, talk show host, creator and producer.

She’s also a notable philanthropist, having contributed more than $100 million to provide education to academically gifted girls from disadvantaged backgrounds, and is continually discussed as a potential presidential candidate, though she said that’s not for her.

On television, Winfrey’s Harpo Productions developed daytime TV shows like “Dr. Phil,” “The Dr. Oz Show” and “Rachael Ray.” Harpo Films produced several Academy Award-winning movies, including “Selma,” which featured Winfrey in a starring role. She’s also acted in a variety of productions over the years, like “The Color Purple,” which scored her an Oscar nom, “Lee Daniels’ The Butler,” “The Immortal Life of Henrietta Lacks” and Disney’s “A Wrinkle in Time.”

Winfrey also founded the cable network OWN in 2011 in partnership with Discovery Communications, and has exec produced series including “Queen Sugar,” “Oprah’s Master Class” and the Emmy-winning “Super Soul Sunday.”

The latter has a connection with Apple as it debuted as a podcast called “Oprah’s SuperSoul Conversations” and became a No. 1 program on Apple Podcasts.

Winfrey recently extended her contract with OWN through 2025, so it’s unclear how much time she’ll devote specifically toward her Apple projects.

Apple also didn’t say if Winfrey will star or guest in any of the programs themselves, but that’s always an option on the table with a deal like this. CNN, however, is reporting that Winfrey “is expected to have an on-screen role as a host and interviewer.”

Read more: https://techcrunch.com/2018/06/15/apple-and-oprah-sign-a-multi-year-partnership-on-original-content/

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