Connect with us

New Movie News

Holiday Movie Preview

Charmaine Blake



Well, weve made it this far.

Nearly 10 and a half months into the Trump presidency, one marked by scandals, snafus, and snide tweets, and in the midst of a long-overdue celebrity creep purge, comes a unique holiday movie season. Tis a season devoid of Harvey Weinsteins cloying Oscar bait and one with precious little tolerance for petty bullshit. And there are plenty of must-see movies, too.

If epic blockbusters are your thing, youve got Rian Johnsons supercharged Star Wars: The Last Jedi, which hopes to be the Empire of the new trilogy. In the mood for an expertly crafted prestige picture? Phantom Thread, the Paul Thomas Anderson-Daniel Day-Lewis collaboration about a 1950s couture designer, is just the ticket. And if its mindless laughs youre after, the Dwayne Johnson/Kevin Hart vehicle Jumanji should do the trick.

So without further ado, here are the most anticipated movies hitting theaters this holiday season.


The Room, Tommy Wiseaus 2003 passion project, is widely regarded as one of the best-worst movies ever made; a tone-deaf disasterpiece of hilarious proportions, but this film chronicling the making-of is the best comedy of the year, anchored by a cheeky, committed turn from James Franco (who also directed) as Wiseau. More so than last years tap-dancing La La Land, here is a tender ode to the ones who dream, foolish as they may seem.


Guillermo del Toro (Pans Labyrinth) has essentially fashioned his own genre of cinema: gothic science fiction. A master of fantastical creatures inhabiting dark, phantasmagorical worlds, his latest is his sweetest film yet. Its a 1960s-set fairy tale love story between a mute cleaning lady (Sally Hawkins, wonderful) and a creature from the deep. Throw in Michael Shannon as a sadistic government agent, Richard Jenkins closeted artist, Michael Stuhlbarg as a compassionate scientist, and a scene-stealing Octavia Spencer, and youve got a recipe for greatness.


Vittorio Storaros lensing and Kate Winslet are exquisite in this Woody Allen fable, about a jaded wife (Winslet) in 1950s Coney Island who finds herself involved in a love triangle with a handsome young lifeguard (Justin Timberlake) and her stepdaughter (Juno Temple). But the film also, at times, seems to function as justification for Allens romance with his own much-younger stepdaughter, Soon-Yiin addition to, you know, the disturbing Dylan Farrow controversy.

I, TONYA (Dec. 8)

There are some serious tonal deficiencies in I, Tonya, which my colleague Kevin Fallon did a great job of summing up here, but Margot Robbie is absolute dynamite as embattled figure skater Tonya Harding, capturing her fears and idiosyncrasies with expert precision. She is matched step-for-step by Allison Janney as her chain-smoking terror of a mother. This would be a good double-bill with the excellent Lady Bird, showing two very different mother-daughter relationships.


No members of the press have seen Star Wars: The Last Jedi yet, but really, what do you need to know? Its a freakin Star Wars movie that brings back the surviving cast of The Force Awakensincluding the legendary Carrie Fisher, in her final film performancealong with newcomers Laura Dern, Benicio del Toro, and Kelly Marie Tran. Oh, and Princes Harry and William cameo as stormtroopers. And its directed by the talented Rian Johnson, the man behind Brick and Looper. Who are you kidding? Youre gonna see this.


A powerfuland vitaldocumentary by filmmaker Nancy Buirsky that captures the story of Recy Taylor, a black woman who in 1944 was kidnapped while leaving church and gang-raped by six white men. The men were never indicted, a tragic miscarriage of justice which brought shame to the nation. The incident served as a precursor to the Montgomery bus boycott that occurred nearly a decade later. Taylor, by the way, is still alive at 97, and paid a visit to the White House in 2011, where she was greeted by the first black president.


Bill Condon knows a thing or two about movie-musicals, having helmed Chicago, Dreamgirls, and the recent Beauty and the Beast, and here hes back with a sweeping musical inspired by P.T. Barnum and the renowned Ringling Bros. and Barnum & Bailey Circus. Hugh Jackman plays Barnum, and hes joined by Zac Efron (Hairspray), Michelle Williams, Rebecca Ferguson, and Zendaya. Expect plenty of fireworks and high-wire activity.


This sequel to the 1995 Robin Williams flick is set 20 years after the events of the first film, only now, the swashbuckling board game has somehow transformed into a video game, and somehow sucks in four teenagers who then play the game as their avatarscoming in the form of Dwayne Johnson, Kevin Hart, Karen Gillan, and Jack Black. Pop star Nick Jonas also pops up as a supporting player, as does Bobby Cannavale as the Big Bad.


Theres quite a bit of curiosity surrounding Ridley Scotts latest because, when the sexual misconduct revelations came to light against star Kevin Spacey, the filmmaker took it upon himself to recut the film in a matter of weeks, replacing Spacey with Christopher Plummer. The film, meanwhile, dramatizes the real-life abduction of heir John Paul Getty III (Charlie Plummer) and his father John Paul Gettys (Plummer) refusal to pay his ransom. The film also stars Michelle Williams as the kidnapped boys desperate mother, and Mark Wahlberg as a former CIA agent tasked with finding the boy.


Every film by Alexander Payne is worth your time. After all, hes the man behind modern American classics like Election and Sideways. Here, he takes his first step into the realm of science fiction, envisioning a future world where environmentally conscious (and cost-efficient)humans choose to shrink themselves down and live in miniature communities in order to create less wasteand live in the lap of luxury. Unfortunately, when Paul Safranek (Matt Damon) and his wife Audrey (Kristen Wiig) decide to get downsized, she backs out of the procedure at the last-minute, leaving him to navigate the world of little people alone.


This looks like a very silly holiday comedy, but hey, laughs are in short supply these days. It centers on two wacky brothers (Owen Wilson and Ed Helms) who, after realizing their mother (Glenn Close) lied about their fathers death, go on a cross-country trip to track down moms ex-suitors and discover who their real dad is. The suspects are played by the likes of J.K. Simmons, Christopher Walken, and Terry Bradshaw, and the cast is rounded out by Ving Rhames, Katt Williams, Harry Shearer, and Katie Aselton.


The second Pitch Perfect was not nearly as good as the first, but for those who need some pitch-slappin cheer, the third and final installment in the a capella franchise sees the Bellasnow struggling looking for jobs post-collegeembark on a USO reunion tour. Plenty of hijinks, of course, ensure. Anna Kendrick, Rebel Wilson, and the gals all return, and are joined by newcomers John Lithgow, Ruby Rose, and the inimitable DJ Khaled.

HAPPY END (Dec. 22)

Austrian filmmaker Michael Haneke is responsible for some of the finest films of the past 20 years, including Amour, The White Ribbon, and Cache. Hes reunited with his frequent collaborators Isabelle Huppert and Jean-Louis Trintignant for a bourgeoisie-skewering satire touching on issues ranging from familial dysfunction to the refugee crisis. And with Haneke at the helm, you can expect this one to cut deep.

HOSTILES (Dec. 22)

Filmmaker Scott Cooper (Crazy Heart) has joined forces once more with his Out of the Furnace star Christian Bale for this period Western that traces the journey of a U.S. Army captain (Bale) in 1892 America who reluctantly agrees to escort Yellow Hawk (Wes Studi), a dying Cheyenne chief, and his family back to their tribal lands in rural Montana. The $55 million film also stars Rosamund Pike, Jesse Plemons, Adam Beach, Ben Foster, and It boy Timothee Chalamet, of Call Me by Your Name fame.

THE POST (Dec. 22)

Directed by Steven Spielberg from a screenplay co-written by Spotlight scribe Josh Singer, this timely political thriller casts journalists as real-life superheroes in telling the true story of The Washington Posts publication of the Pentagon Papers, which exposed the Johnson administrations various lies concerning the Vietnam War. The Oscar bait flick features the incomparable Meryl Streep as Post publisher Kay Graham and Tom Hanks as Post editor Ben Bradlee, alongside Sarah Paulson, Bob Odenkirk, Tracy Letts, Carrie Coon, Bruce Greenwood, and Matthew Rhys as famed whistleblower Daniel Ellsberg.


Marking the directorial debut of Aaron Sorkin, the Oscar-winning screenwriter behind The Social Network and the TV series The West Wing, it tells the real-life story of Molly Bloom (Jessica Chastain), an entrepreneur who set up a high-stakes private underground poker game for A-list celebrities, including Tobey Maguire and Ben Affleck, only to eventually have her game raided by the FBI due to its Russian mob ties. The film, boasting plenty of Sorkin-y monologues, also stars Idris Elba as Blooms attorney, Kevin Costner as her father, and Michael Cera as Player X, aka Tobey Maguire.


Paul Thomas Anderson (Boogie Nights, There Will Be Blood) may be the finest American filmmaker right now, and his latest may serve as the swan song for star Daniel Day-Lewis, who has claimed it is his final acting role. Day-Lewis is Reynolds Woodcock, a coveted couture designer in 1950s London whose exquisite dresses contour the bodies of the rich and famous. His precision and exacting nature, however, torments those in his inner orbit: sister Cyril (Lesley Manville, never better) and romantic partner Alma (Vicky Krieps, subtly magnificent). With direction, acting, and a score as fine as Woodcocks divine frocks, its truly a sight to behold.

IN THE FADE (Dec. 27)

One of the biggest surprises out of this years Cannes Film Festival was this gut-wrenching German drama by Fatih Akin (The Edge of Heaven). After losing her Kurdish husbanda former drug traffickerand their daughter in a bombing attack, Katja (Diane Kruger) slides into despair and decides to take her own life before changing her mind and pursuing justice, convinced that the authorities have it wrong when it comes to those who murdered her family. Kruger was awarded Best Actress at Cannes, and Akins film was selected as Germanys entry for the Best Foreign Film Oscar.


The always wonderful Annette Bening stars as screen siren Gloria Grahame, who in the final years of her life engages in a passionate affair with a young Liverpudlian fellow named Peter Turner, played by Jamie Bell. Its a charming, lovingly crafted period piece, boosted by supporting turns from Vanessa Redgrave, Julie Walters, and Stephen Graham.

Read more:

New Movie News

Judy Garland lives again, in the form of Rene Zellweger in ‘Judy’: Photo



Rene Zellweger in 2017

Image: Jason Laveris / FilmMagic

Renée Zellweger is practically unrecognizable in her latest film role… but she does bear a striking resemblance to somebody else.

Pathé UK has released the first official photo from Judy, which stars Zellweger as silver screen legend Judy Garland. 

(For comparison, here’s a photo of Garland in 1960, via Vanity Fair.)

The film takes place in the late 1960s, as Garland arrives in London for a series of concerts. By this point, Garland is well into her 40s and her memorable turn in The Wizard of Oz is nearly thirty years behind her. 

But even as she prepares to face crowds of adoring fans, she’s still battling the demons left behind by her troubled childhood in Hollywood.

Judy, which started shooting Monday, also stars Jessie Buckley, Finn Wittrock, and Michael Gambon. Rupert Goold (True Story) directs from a script by Tom Edge (Lovesick). Some of Garland’s most beloved songs will be featured in the movie, including “Over the Rainbow.”

Read more:

Continue Reading

New Movie News

Madonna to direct movie based on life of ballerina Michaela DePrince



MGM announces the singer will direct Taking Flight, the story of DePrinces journey from war orphan in Sierra Leone to world-class ballerina

Madonna is to return to the movies after a seven-year absence to direct Taking Flight, a feature film based on the life of Michaela DePrince, a war orphan from Sierra Leone who became a leading ballerina.

According to Deadline, Hollywood studio MGM has been developing the project since 2015 when it acquired the rights to DePrinces memoir, co-written with her adoptive mother, Elaine.

Michaelas journey resonated with me deeply as both an artist and an activist who understands adversity, Madonna said. We have a unique opportunity to shed light on Sierra Leone, and let Michaela be the voice for all the orphaned children she grew up beside. I am honoured to bring her story to life.

Ballet dancer Michaela DePrince in Johannesburg, in 2012. Photograph: Gallo Images/Rex/Shutterstock

DePrince, 23, lost both of her parents in Sierra Leones civil war when she was three years old. The following year, she was adopted by a New Jersey couple and brought to the US, where she developed a passion for ballet. She was one of the stars of 2011 documentary First Position, about young ballet hopefuls, and is a soloist with the Dutch National Ballet and Opera. She also appeared in Beyoncs music video album, Lemonade.

We were immediately awestruck by Michaelas journey and know Madonnas vision and passion for the material will deliver a film that inspires audiences everywhere, said producer Leslie Morgenstein.

No cast or released date has yet been finalised. Camilla Blackett, writer of the comedy series Fresh Off the Boat, will write the screenplay.

Madonna is the bestselling female recording artist of all time but her movie career has been more chequered, especially behind the camera. Her 2008 feature debut, Filth and Wisdom, was described by the Guardians Peter Bradshaw as a dumb and tacky comedy-drama about three people sharing a flat in a quaintly conceived London. Its follow-up, 2011s WE, in which Andrea Riseborough played Wallis Simpson, was also critically panned, with Bradshaw describing it as one long humourless and necrophiliac swoon at the Windsors supposed tragi-romantic glamour.

Madonna wrote, produced and narrated 2008 documentary I Am Because We Are, about children in Malawi orphaned by the Aids epidemic. She has adopted four children from Malawi, including twin girls in 2017.

Read more:

Continue Reading

New Movie News

‘Black Panther’ Hits $1 Billion Mark In Worldwide Box Office Numbers



“Black Panther” has surpassed $1 billion at the worldwide box office, challenging industry norms about films with black casts. 

The Marvel blockbuster passed the major benchmark on Friday, Forbes reports.

The film is now the United States’ ninth highest-grossing film of all time, and had the second-largest four-day domestic opening weekend. “Black Panther” brought in $242 million in the U.S. over Presidents Day weekend, behind the $288 million “Star Wars: The Force Awakens” made when it opened in 2015. 

The international success of “Black Panther” has challenged the myth that films with predominately black casts don’t sell  and it helps unravel “unwritten Hollywood rules,” Jeff Bock, a senior analyst at entertainment research firm Exhibitor Relations, told The New York Times.

“I think about it like a wall crumbling,” Bock said. “In terms of ‘Black Panther,’ no studio can say again, ’Oh, black movies don’t travel, overseas interest will be minimal.’”

Stars of the film, including Chadwick Boseman, Lupita Nyong’o and Danai Gurira, have spoken out about the importance of representation in the movie. “Black Panther,” which is set in the fictional country of Wakanda, shows the possibilities of an African society untouched by colonialism and gender inequity. 

“I think there’s a thirst for these images,” Boseman told NBC. “There’s a real thirst for black superheroes.” 

Marvel Studios President Kevin Feige confirmed this week that a “Black Panther” sequel is in the works. Feige told Entertainment Weekly that there was “nothing specific to reveal” about the next movie but added that “we absolutely will do that.”


Read more:

Continue Reading