Directing a new Black Mirror film gives Jodie Foster the chance to look back at her own upbringing. The Hollywood titan talks to Tim Adams
Last week Charlie Brooker was recalling for me the moment he learned Jodie Foster would direct an episode of Black Mirror, his inspired series of one-off dramas about the ways our gadgets are colonising the idea of human. Brooker had written a script for the new series in which a neurotic single mother uses technology to spy on her young daughter and keep her safe from the world. The Netflix people suggested they tried the script out on the two-time Oscar-winning actor.
Brooker has had considerable global success with Black Mirror but still, the thought of working with Foster, an actual icon, made him come over, he says, all British and starstruck. He turned to his co-showrunner for the series, Annabel Jones. We were like: Youre kidding, right? You are going to try Jodie bloody Foster? Yeah right, of course you are.
The script was given to Jodie bloody Foster, though, and she came back immediately and said she wanted to do it. Brooker had a Skype chat with her in which it became clear that as a mother and a daughter, and as someone steeped in issues around privacy, she had a strong feel for all the scripts themes. And then also, Brooker suggests, on a practical level the film involved dealing with child actors, which I guess Jodie Foster probably knows more about than anyone alive.
Through the course of the film-making the shoot was in Toronto, the editing in London Brooker says Foster could not have been more engaged or engaging. And for his own part, he says, as long as he repressed the thoughts that went: Christ, she was in Taxi Driver, she was in The Accused, she was in TheSilence of the Lambs he was fine. Otherwise, obviously: You got a bit of vertigo.
I met Foster to talk about her film earlier this year when she was over in London working with Brooker on the edit of Arkangel [her episode of Black Mirror], and experienced just a bit of that vertigo. It would be fair to say that the actor, now 55, is not the most enthusiastic of interviewees. Having been first put in front of cameras aged three, and subsequently having suffered well-documented traumas with stalkers, Foster has long been wary of talking about herself beyond her work. She is determinedly friendly, but radiates the same intense and guarded intelligence you know from her most famous roles, as well as a profound awareness of being quoted out of context.
“The Irishman is set for the big screen next year when it is released by Netflix, star Robert De Niro said Sunday while speaking at the Marrakech Film Festival.
The pic is the actor’s latest collaboration with Goodfellas director Martin Scorsese, which also stars Al Pacino, Joe Pesci and Harvey Keitel, and is set in the crime world.
“We’ve talked about it with Netflix. They are going to do a presentation of our film the way it should be, in a theater, in certain venues, the best theatrical venues there can be,” De Niro said, hinting that there have been ongoing discussions with the streaming platform surrounding the release.
“How they resolve it is, in the beginning, they will show it on the big screen — we’re talking about big venues where it would play, where it should play — and what happens after that, I’m not sure,” he said, guessing that it would be released online at a later date.
It marks the second big film Netflix will release, following in the footsteps of Alfonso Curaon’s Oscar contender Roma in a limited theatrical run for awards season. Netflix has also taken on Guillermo del Toro’s dark Pinocchio, which is another potential awards contender and the next project after his Oscar wins for The Shape of Water…………………………………………..”
“Nominations for the Hollywood Foreign Press Association’s annual ceremony, which honors achievement in film and television, were announced Thursday. Big film hits “Black Panther,” “Bohemian Rhapsody” and “A Star Is Born” will compete for best drama against the critically acclaimed “BlacKkKlansman” and “If Beale Street Could Talk,” directed by Spike Lee and Barry Jenkins, respectively, who directed the Oscar-winning “Moonlight.”
Below is the full list of nominees.
Best Motion Picture – Drama
“If Beale Street Could Talk”
“A Star Is Born”
Best Motion Picture – Musical or Comedy
“Crazy Rich Asians”
“Mary Poppins Returns”
Best Performance by an Actress in a Motion Picture – Drama
Glenn Close (“The Wife”)
Lady Gaga (“A Star Is Born”)
Nicole Kidman (“Destroyer”)
Melissa McCarthy (“Can You Ever Forgive Me?”)
Rosamund Pike (“A Private War”)
Best Performance by an Actor in a Motion Picture – Drama
Bradley Cooper (“A Star Is Born”)
Willem Dafoe (“At Eternity’s Gate”)
Lucas Hedges (“Boy Erased”)
Rami Malek (“Bohemian Rhapsody”)
John David Washington (“BlackKklansman”)………………………………………………”
“Now Kevin Hart has stepped down from hosting the Oscars, one question remains: who will replace him?
The 39-year-old comedian was confirmed as the Academy Awards host for 2019 just three days ago.
However, he found himself in deep water this week when fans started sharing unearthed tweets from 2010 which show him using the word ‘gay’ as a slur. as well as labelling people ‘f**s’.
Hart announced his decision to step down as host of the Oscars on Thursday night. Hosting the Oscars is one of the biggest gigs a presenter can land and it’s got to go to the right person. So WHO will the Academy ask to replace Kevin?
Ellen DeGeneres is the bookies’ runaway favourite to host February’s awards show, with Betfair offering odds of 6/4. If the bookies are correct, it will be the third time she’s hosted the prestigious awards, having done so in 2007 and 2014. Her 2014 run saw her taking the infamous Oscars selfie, featuring the likes of Bradley Cooper……………………………………….”