Directing a new Black Mirror film gives Jodie Foster the chance to look back at her own upbringing. The Hollywood titan talks to Tim Adams
Last week Charlie Brooker was recalling for me the moment he learned Jodie Foster would direct an episode of Black Mirror, his inspired series of one-off dramas about the ways our gadgets are colonising the idea of human. Brooker had written a script for the new series in which a neurotic single mother uses technology to spy on her young daughter and keep her safe from the world. The Netflix people suggested they tried the script out on the two-time Oscar-winning actor.
Brooker has had considerable global success with Black Mirror but still, the thought of working with Foster, an actual icon, made him come over, he says, all British and starstruck. He turned to his co-showrunner for the series, Annabel Jones. We were like: Youre kidding, right? You are going to try Jodie bloody Foster? Yeah right, of course you are.
The script was given to Jodie bloody Foster, though, and she came back immediately and said she wanted to do it. Brooker had a Skype chat with her in which it became clear that as a mother and a daughter, and as someone steeped in issues around privacy, she had a strong feel for all the scripts themes. And then also, Brooker suggests, on a practical level the film involved dealing with child actors, which I guess Jodie Foster probably knows more about than anyone alive.
Through the course of the film-making the shoot was in Toronto, the editing in London Brooker says Foster could not have been more engaged or engaging. And for his own part, he says, as long as he repressed the thoughts that went: Christ, she was in Taxi Driver, she was in The Accused, she was in The Silence of the Lambs he was fine. Otherwise, obviously: You got a bit of vertigo.
I met Foster to talk about her film earlier this year when she was over in London working with Brooker on the edit of Arkangel [her episode of Black Mirror], and experienced just a bit of that vertigo. It would be fair to say that the actor, now 55, is not the most enthusiastic of interviewees. Having been first put in front of cameras aged three, and subsequently having suffered well-documented traumas with stalkers, Foster has long been wary of talking about herself beyond her work. She is determinedly friendly, but radiates the same intense and guarded intelligence you know from her most famous roles, as well as a profound awareness of being quoted out of context.
How ‘Captain Marvel’ pays tribute to the late, great Stan Lee
Stan Lee at the premiere of Marvel’s ‘Captain America: Civil War’ in 2016.
“In keeping with Marvel Cinematic Universe, Captain Marvel features a Stan Lee cameo. What is a little different this time, though, is how it plays out in the movie.
Shortly after Vers (a.k.a. Carol Danvers, a.k.a. Captain Marvel) lands on Earth, she finds herself on a train, trying to spot the shapeshifting Skrull among all the ordinary-looking human passengers.
At one point, her eyes fall upon an elderly man conspicuously reading a Mallrats script. It’s Stan Lee, practicing his lines for his cameo in that other movie. “Trust me, true believer,” he mutters to himself. You can watch that entire Mallrats scene below:
The Captain Marvel scene was originally written by directors Anna Boden and Ryan Fleck as just another fun, funny appearance by the comics legend. But after his passing in November, the filmmakers felt compelled to update the sequence to acknowledge the “gravitas” of the moment.
“Instead of just the pure laugh we had, we had a little bit of a smile from Captain Marvel in response to it, and she kind of breaks character for a moment,” Boden told me during an interview in Los Angeles last month. “I think it reflects a little bit of what the audience is feeling, and we allowed that to happen.”
In the finished cut of Captain Marvel, Vers’ gaze lingers on him for a few moments and she smiles to herself, before moving on with the rest of her quest. At the screening I attended, the audience definitely appreciated the homage – there were sighs, moans, and even a smattering of applause.
That cameo is actually the second of two Lee shout-outs in the film. The first occurs right at the start. The usual Marvel Studios opening fanfare is replaced by a special Lee-centric version, featuring all his many cameos across various Marvel movies……………………………………………….”
‘A Star Is Born’ takes a theatrical victory lap with bonus footage
Lady Gaga and Bradley Cooper in ‘A Star Is Born.’
“After winning an Oscar for best original song, A Star Is Born is returning to theaters for one week with some new bonus footage.
A Star Is Born is taking its Oscar victory lap starting on Friday at more than 1,100 theaters, giving fans and new viewers a chance to see 12 minutes of bonus footage, The Hollywood Reporter reported Wednesday. The new footage includes extended song performances, new song performances, and Lady Gaga’s a cappella rendition of “Shallow.”
“Shallow,” written by Lady Gaga, Mark Daniel Ronson, Anthony Rossomando, and Andrew Wyatt, earned the movie Best Original Song at the Academy Awards on Sunday. A Star Is Born was nominated for a total eight awards, including Best Picture. “Shallow” also earned two Grammys earlier in February………………………………………………………..”
Here’s a complete list of every winner at the 2019 Oscars
“Welcome to the 2019 Oscars, where it’s Queen vs. Queen Anne, A Star Is Born‘s fourth time up to bat, a victory lap for Wakanda fans, and so much more.
Last year was packed with some incredible films. In a tight race to determine the best of the best (according to the Academy of Motion Picture Arts and Sciences), it all comes down to one big night at the Dolby Theater in Hollywood.
Below, updating live, are all the winners at the 91st Academy Awards — and the Oscar goes to…
Green Book — WINNER
A Star Is Born
Christian Bale, Vice
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody — WINNER
Viggo Mortensen, Green Book
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite — WINNER
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?
Best Supporting Actor
Mahershala Ali, Green Book — WINNER
Adam Driver, BlacKkKlansman
Sam Elliott, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Sam Rockwell, Vice
Best Supporting Actress
Amy Adams, Vice
Marina de Tavira, Roma
Regina King, If Beale Street Could Talk — WINNER
Emma Stone, The Favourite
Rachel Weisz, The Favourite
Spike Lee, BlacKkKlansman
Pawel Pawlikowski, Cold War
Yorgos Lanthimos, The Favourite
Alfonso Cuarón, Roma — WINNER
Adam McKay, Vice………………………………………………………………………………”
See the rest of the list here: https://mashable.com/article/oscars-winners-list-2019/
New Movie Trailers1 day ago
The Professor and the Madman – Movie Trailer
Super Heroes1 day ago
Superheroes and freaky cats: how Captain Marvel rewrote the rules
Super Heroes10 hours ago
Here’s the Marvel movie watch list you didn’t know you needed
New TV Trailers8 hours ago
Gentleman Jack – HBO Series