Hollywood was once all about tradecraft. But not any more, as Mark Wahlbergs ridiculously brilliant daily schedule makes all too clear
“When the famously dissolute movie star John Barrymore died, having spent much of the last year of his life passed out at Errol Flynns house, the brilliant character actor Peter Lorre bribed the funeral homes director to loan him the corpse for a night. Lorre, Humphrey Bogart and a couple of others sneaked into Flynns Mulholland Drive home while he was shooting late, arranged the body in a chair near the bar, then hid and waited. When Flynn returned home from set, he nodded at Barrymore, and continued to walk over to fix himself a drink. After a few steps, Flynn froze. He went back to the chair, touched Barrymores ice-cold body, then shouted: All right, you bastards, come on out!
I know what youre thinking. This is all very well; but did any of these ill-disciplined men make Daddys Home 2, Mark Wahlbergs highly called-for sequel to his turn in Daddys Home? Alas not. At the time of this late-night incident, Bogart was shooting a picture called Casablanca, and though well probably never know his workout schedule for the movie, I guess we can say for sure that he could bench-press at least a quarter of John Barrymore. But only after tipping-out time at the Cocoanut Grove.
And so to the much-remarked-upon daily routine of Wahlberg, which is here reproduced in full:
2.30am wake up
2.45am prayer time
5:30am post-workout meal
9:30am cryo chamber recovery
11:00am family time/meetings/work calls
2:00pm meetings/work calls
3:00pm pick up kids @ school
4:00pm workout #2
5:30pm dinner/family time
Hey, dont knock it. Its called acting.
Or is it? Is that what this life is? For many, Marks schedule is the equivalent of letting daylight in on tragic. Once the inspiration for Entourage indeed, that comfortingly silly………………………..”
Why the dance numbers in the new ‘Aladdin’ are so disappointing
‘Remember the steps. Remember your training. Do not embarrass us.’
“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.
From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).
So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.
Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”
How The Blair Witch Project changed horror for ever
The movie’s marketing took advantage of trust in the early internet, but fake news isn’t what it used to be
“We will never get a movie like The Blair Witch Project again. Having said that, weve had dozens of movies like The Blair Witch Project. In the 20 years since its release, it has transformed the horror landscape, and more besides. Found footage is now a sub-genre in itself thanks to it. How many horror movies have we seen claiming: This all really happened, honest? How many occult symbols and folk myths have crossed our screens? How many gung-ho teens have set off on an adventure, never to return? And how many times has a gimmicky horror reaped rewards for virtually no outlay? Blair Witch did not invent all these tricks but it put them together to create a phenomenon. It is the 21st centurys Exorcist………………………………………………….”
Yes, ‘New Mutants’ is still coming, Probably.
Jean Grey comes into her powers in ‘Dark Phoenix’.
“The X-Men are part of the Disney family now, and never has that felt clearer than at the studio’s CinemaCon presentation Wednesday.
Disney touted both Dark Phoenix and New Mutants as part of its upcoming slate, alongside the usual Avengers and Star Wars and Pixa
What exactly the X-Men’s future looks like at the Mouse House, though, remains unclear.
Deadpool clearly isn’t going anywhere. “You’ll be seeing more of Deadpool in the years ahead,” promised studio chairman Alan Horn, after sharing Ryan Reynolds’ cheeky tweet about Fox joining Disney.
And New Mutants, despite delayed release dates, reports of reshoots, and rumors of a straight-to-streaming distribution plan, does seem to be headed to cinemas — it was included on a slide of Disney’s 2019 theatrical releases.
But the core X-Men franchise led by James McAvoy, Michael Fassbender, Jennifer Lawrence, and Sophie Turner is evidently coming to a conclusion. Dark Phoenix, out this summer, was described by 20th Century Fox’s Emma Watts as “the perfect sendoff” to the X-Men series……………………………………………………….”
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