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Mamma Mia! Here We Go Again Review!

Charmaine Blake

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I was not among those begging for a followup to the wildly successful 2008 Abba musical. But after just a few scenes, all I could say was: Gimme, Gimme, Gimme

“Benny Andersson and Bjrn Ulvaeus of Abba must over the years have considered what they would do if they were asked to sign off on a second iteration of what can only be called the Mamma Mia! movie franchise which first appeared in 2008. Perhaps they thought that, in the words of the song: If I had to do the same again, I would my friend, because quite frankly its a licence to print money.

That first film made me break out in a combination of hives and bubonic plague. And to be honest, this new one does have the original films plotless melange of feelgoodery, an exotically amorphous jellyfish of a film which is periodically zapped with the million-volt shock of a zingingly brilliant Abba tune.

But something in the sheer relentless silliness and uncompromising ridiculousness of this, combined with a new flavour of self-aware comedy, made me smile in spite of myself: there are funny, campy performances from Cher, Christine Baranski, Julie Walters and also Alexa Davies as Walterss younger self, and some very good lines. People are always running absurdly around a Greek island waving their arms in the air like they just dont care and its always sunny, except when gasp! theres a storm and plans for the relaunch of a tourist hotel are briefly and unimportantly derailed. This film reminded me weirdly in its staging of Kenneth Branaghs 90s film version of Much Ado About Nothing, with its golden southern European hues and beaming cast. Theres the same bizarre plot convolutions and holiday-romance departure from reality.

After the first film, I noted that the song Fernando was not included and suggested that next time they should include a hearing-impaired character of that name and someone desperately worried should bang a particular percussion instrument and ask of Fernando a certain impassioned question. In fact, Cher sings Fernando now, and addresses it to a bearded Andy………”

Read more: https://www.theguardian.com/film/2018/jul/17/mamma-mia-here-we-go-again-review-feta-fever-dream-sequel-is-weirdly-irresistible

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Ryan Gosling’s ‘First Man’ is an Awe-inspiring Space Spectacle

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Ryan Gosling, Corey Stoll, and Lukas Haas in Damien Chazelle’s First Man.

Image: Warner Bros.

“First Man is a big film about the small things that went into an enormous event.

It’s no spoiler that the climax here is Neil Armstrong’s 1969 walk on the moon. For the first 90 minutes, though, First Man holds back on the inherent drama of that premise.

It follows Neil (Ryan Gosling) as he makes his way through the NASA ranks, and at home as he mourns the death of his young daughter. It spends time on a bunch of promising missions that go nowhere, and on complex questions the engineers will have to solve. There’s some action sprinkled in there, and a few precious moments of euphoria. Mostly, it’s sweating the small stuff.

That choice is puzzling at first, even frustrating: We know the guy gets to the moon, so let’s get on with it already! Why are we wasting time with all this minutiae?

But those tedious concerns and disappointing dead ends are exactly the point. First Man is about work, and more specifically about the enormous amount of work (and luck) that goes into an achievement as momentous as the moon landing. It demands patience, but it gave back what I put into it several times over.

A rocket takes off in First Man.

Image: Warner Bros.

Director Damien Chazelle keeps his eye on the unromantic details that usually get glossed over in retellings of historical events. Literally: Much of this movie is composed of shots of dials, switches, and the top half of Gosling’s face……………………..”

Read more: https://mashable.com/article/first-man-movie-review/

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David Gordon Green’s ‘Halloween’ is a satisfying treat

Charmaine Blake

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Laurie Strode and Michael Myers face off once more in the new Halloween.

Image: TIFF

Like most long-running horror franchises, the Halloween series has seen its share of ups and downs over the decades.

But those skeptical of the newest incarnation, directed by David Gordon Green, can put their fears to rest. This one’s good. Really good.

Faced with the challenge of sorting out the messy mythology of the sequels, Green (along with his co-writers, Danny McBride and Jeff Fradley) doesn’t even try. Although there are references to the others, only the original Halloween is completely canon here, and all of its relevant plot points are recapped in the new Halloween.

That said, it’s still a good idea to (re)watch the 1978 film before going into the 2018 one, because it’ll make the latter all the more satisfying. Green has fun recreating or subverting specific images and sequences from the first film – maybe too much fun, if you were hoping for something more surprising.

The premise is this: 40 years have passed since the first Halloween, and Michael Myers has spent all that time in prison. But he manages to escape just in time for his favorite holiday, and naturally he goes after Laurie Strode, the girl who survived his last killing spree. She, in turn, has spent the past 40 years waiting and preparing for just this occasion.

In that time, Michael’s notoriety has only grown. People are fascinated by this silent enigma, for all sorts of foolish reasons. Is he capable of rehabilitation, or is he an incorrigible force of pure evil? What might he say if he ever spoke? What’s going on in his head? What’s it like to be in his head?

Always nice to see a familiar face.

Image: TIFF………………………………..”

Read more: https://mashable.com/article/halloween-movie-review/

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A Star is Born Review: It Makes a Movie Star out of Lady Gaga and a Star Director out of Bradley Cooper

Charmaine Blake

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Bradley Cooper and Lady Gaga in A Star is Born.

Image: Neal Preston / Warner Bros.

“It’s the same story told over and over. All the artist can offer the world is how they see those 12 notes.”

The character who utters this line in A Star is Born is talking about music, but he may as well be talking about the movie he’s in. This is the third remake of an 81-year-old movie, one whose beats are so familiar that you’ll recognize them even if you’ve never laid eyes on any of the other versions.

There’s the sad celebrity self-medicating with booze and drugs, the talented ingenue who becomes an overnight sensation, the whirlwind romance threatened by the cold, hard light of day. You can see where all of it is headed from two miles away.

But that doesn’t matter, not when Bradley Cooper is executing the formula so well. From the view at TIFF, A Star is Born looks to be a commercial and critical success that’ll have people buzzing all fall, and maybe even into this winter’s awards season. Here’s what you need to know.

1. Lady Gaga is a movie star, baby

That Gaga had pipes worthy of a movie musical was never in doubt. But A Star is Born proves she’s a hell of an actor, too. Her Ally has the more dramatic arc of the movie, evolving from bright-eyed nobody to glamorous pop star, and Gaga’s performance rings true every step of the way. For large swaths of the movie, I forgot that I was watching at one of the most famous musicians in the world – she was just Ally.

2. Bradley Cooper has a bright future as a director

A Star is Born is Bradley Cooper’s debut as a director, but you’d never know it by watching. This film has the surefootedness of someone who’s done this a dozen times before, and made me curious to see what he might get up to next.

Oh, and another of Cooper’s gifts as a director? He’s very good at directing one Bradley Cooper. Jackson Maine is one of Cooper’s most riveting performances – Cooper knows exactly how to bring out the nuances playing across Jack’s face in the many scenes he spends gazing at Ally.

3. The chemistry between Cooper and Gaga is

When Jack and Ally meet for the first time, it’s not immediately apparent just how hot this connection is going to run. Cooper gives his characters time to warm up to each other, letting them goof around and reveal their personalities before they fall for each other – so that when they do finally connect, it feels like watching a house catch fire.

4. The music might give you chills

The best moment in A Star is Born is also the best moment from the A Star is Born trailer: The absolute wail that comes from Gaga’s throat during the song “Shallow,” the first time Jack and Ally perform together onstage…………………………..”

Check Out the Rest of the Article Here: https://mashable.com/article/a-star-is-born-movie-review/

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