Connect with us

New Movie Reviews

Movie Review: Christopher Robin Revives Winnie the Pooh

Charmaine Blake

Published

on

“It’s been a banner summer for crying. Some of the tears came from movies you’d expect, like one in which an eighth-grade girl struggles with her self-esteem. Other times, they were sneak-attack snivels, like when a movie-musical sequel based on the songs of ABBA triggered four different tear-jerking moments, one of which had me stifling an audible shriek-sob.

Anyone who saw the trailer for Disney’s new Christopher Robin film, which gives Winnie the Pooh and his friends in the Hundred Acre Wood the Paddington treatment, probably expected to have their heart strings plucked a bit. This movie gives them a full-blast bluegrass strum.

That’s one willy, nilly, silly, old, emotionally devastating bear.

Maybe its because were all feeling a bit brittle lately. There are Heffalumps and Woozles at every terrifying turn in todays world. We could use an old friend to help fight them off and feel safe again.

Christopher Robin is written by Allison Schroeder (Hidden Figures), Tom McCarthy (Spotlight), and Alex Ross Perry (Listen Up Philip), directed by Marc Forster (Finding Neverland), and of course, inspired by the characters of A.A. Milne and Ernest Shepard. Its a veritable Avengers of emotional storytelling. Together, they prove that feelings are still movies most valuable special effect. (Though the special effects used to animate these characters is pretty darned impressive, too.)

When we meet up with our old friends, the animals are gathered for a farewell party for young Christopher Robin, who will soon be going off to boarding school. A clever narrative device then makes…………..”

Read more: https://www.thedailybeast.com/christopher-robin-revives-winnie-the-pooh-as-an-emotional-terrorist

New Movie Reviews

‘Spider-Man: Into the Spider-Verse’ is one of the best superhero movies ever: Review

Published

on

There’s a new Spider-Man in town, and he’s freaking amazing.

Image: Columbia / Sony

“To say that Spider-Man: Into the Spider-Verse feels like a comic book come to life may sound like faint praise, seeing as we’re two decades into a superhero movie boom that the original Spider-Man helped jump start.

But few recent films have embraced the comic book style and sensibility — its visual quirks and anything-goes openness — as wholeheartedly as Spider-Verse has, or enjoyed as fully the potential in combining the two mediums.

Right off the bat, Spider-Verse acknowledges that it’s probably the 700th Spider-Man story you’ve seen in the past few years. A voiceover “yada yadas” the basics of Peter Parker’s origin story, while winking at almost every iteration of it; even the much-maligned Spider-Man 3 gets a rueful shoutout. This movie isn’t afraid of a laugh at its own expense, though the knowing humor is more affectionate than biting.

Spider-Verse has a distinct feel unlike any other Spider-Man movie before.

When that montage ends with Peter telling us “there’s only one Spider-Man,” it plays like another joke, because we’ve seen so many Peters over so many years. And becomes even more of one once we meet Miles Morales (voiced by Shameik Moore).

Though Miles has been a fan favorite in the comics since 2011, Spider-Verse marks his first time on the big screen. Accordingly, Spider-Verse has a distinct feel unlike any other Spider-Man movie before it.

Spider-Verse eschews both the slick three-dimensional look of most modern studio animated movies (think Pixar or Illumination) and the gritty “realism” of most live-action superhero movies, in favor of a flatter, sketchier aesthetic bursting with poppy colors, Ben-Day dots, and motion lines. It’s an obvious nod to Spidey’s ink-and-paper history, but it’s also an expression of how Miles, himself a character who’s grown up admiring Spidey and reading Spidey books, might view his own superhero saga…………………………………………”

Read more: https://mashable.com/article/spider-man-into-the-spider-verse-movie-review/

Continue Reading

New Movie Reviews

Creed II review – Rocky saga continues with knockout sequel

Published

on

20

“Before he delivered arguably Marvel’s most dazzling chapter to date, Ryan Coogler had managed something close to impossible in Hollywood: he had found a fresh way to reboot a dusty franchise. In a landscape of endless thirst and vacant remixing, he had somehow managed to concoct a nifty, imaginative way back into the Rocky saga with Creed, a film that felt old-fashioned yet fresh, intimate yet grand, a rousing return from the grave.

By focusing on the son of Rocky’s competitor-turned-friend Apollo Creed, Coogler was also able to reteam with Michael B Jordan, who made such an indelible impression in his first film, 2013’s devastating fact-based drama Fruitvale Station. The duo worked together again in Black Panther earlier this year, with Jordan switching tacks to play villain Killmonger, and so soon after, seeing him return as Creed is a further reminder of his broad star appeal, the sort of rare leading man one can imagine remaining at the top of his game for years to come. Given his time in Wakanda, Coogler was unable to return but he has handed over directorial duties to Steven Caple Jr, who impressed in 2016 with debut feature The Land, and it is a similarly deft rise from micro-budget indie to franchise film-making.

While it’s not quite the showstopper that its predecessor was, Creed II is still another knockout piece of entertainment. There’s a keen awareness of what made Creed work so well without it feeling like a lethargic rehash. This time, Adonis (Jordan) is the heavyweight champion of the world, in a loving relationship with his pregnant musician girlfriend Bianca (Tessa Thompson) and still living near and working out with a recovering Rocky (Sylvester Stallone). But there’s discontent from……………………………………..”

Read More Here: https://www.theguardian.com/film/2018/nov/16/creed-ii-review-rocky-sylvester-stallone-michael-b-jordan

Continue Reading

New Movie Reviews

They Shall Not Grow Old review – a breathtaking journey into the trenches

Published

on

Written by Mark Kermode, Observer film critic

“There’s a familiar mantra that computers have somehow taken the humanity out of cinema. In an age when it’s possible to conjure spectacular action from digital effects, many modern movies have developed a sense of weightlessness – the inconsequentiality of artifice. Along with Avatar director James Cameron, New Zealand film-maker Peter Jackson has been at the forefront of the digital revolution, with his twin Tolkien trilogies (The Lord of the Rings and The Hobbit) pushing the boundaries of computer-generated entertainment.

Yet with his latest project, a revivification of the Imperial War Museum’s archive of first world war footage, Jackson has done something quite remarkable: using 21st-century technology to put the humanity back into old movie stock. The result is utterly breathtaking.

Commissioned for the Armistice centenary by IWM and 14-18 NOW in association with the BBC, They Shall Not Grow Old is not a document of the world at war. Rather, it is an arresting snapshot of the lives of British soldiers who went to fight in Europe, many of them having lied about their tender ages to enlist. There are no historians, narrators or political commentators to guide us; the voices we hear are those of veterans, many gathered by the BBC during the making of its 1964 documentary series The Great War.

As we watch a line of soldiers marching through mud towards the front, something extraordinary happens. The film seems almost miraculously to change from silent black-and-white footage to colour film with sound, as though 100 years of film history had been suddenly telescoped into a single moment. Stepping through the looking glass, we find ourselves right there in the trenches, surrounded by young men whose faces are as close and clear as those of people we would pass in the street. I’ve often argued that cinema is a time machine, but rarely has that seemed so true………………………………………………”

Read the rest of the article here: https://www.theguardian.com/film/2018/nov/11/they-shall-not-grow-old-peter-jackson-review-first-world-war-footage

Continue Reading

Trending