The Handmaid’s Tale just served up an International Women’s Day teaser of Offred and her sisters fighting back. After a first season that explored women losing all their agency, Season 2 shows shows the women of Gilead refusing to be oppressed any longer.
The teaser is mostly a few flashes of footage and imagery – including Offred in front of a noose and a weeping Moira (Samira Wiley) – narrated with the emotionless cadence Elisabeth Moss perfected as Offred. She lists the requirements of the handmaid like commandments: “Wear the red dress, wear the wings,” and eventually, “Shut your mouth, be a good girl, roll over and spread your legs, yes ma’am, may the lord open.”
And then the teaser ends with a burst of frustration: “Seriously, what the actual f–”
The Handmaid’s Tale Season 2 premieres April 25 on Hulu.
From Latex Strippers to Killing Hitler: Inside Netflix’s Wildest Series
Sex isnt included in the title of Love, Death & Robots, the new animated Netflix series from directors David Fincher and Tim Miller (premiering March 15). But that doesnt mean there isnt plenty of R-rated eroticismnot to mention myriad Hitler deaths!to be found in this 18-episode anthology of sci-fi shorts about the strange, surreal and sinister.
Created by Miller (Deadpool, the upcoming Terminator: Dark Fate), who also serves as an executive producer alongside Fincher (Fight Club, Zodiac, Netflixs Mindhunter), Love, Death & Robots is a deliberately diverse affair rife with violence, humor and a healthy dose of sensuality. No matter that its installments are all computer generatedits for adults only, peppered with full-frontal female nudity, intermittent profanity and a dark, demented view of the world, both now and in the future, which is where most of its vignettes are set. Delivering bleakness and black comedy in distilled form via stories that rarely last more than fifteen minutes, its like Black Mirror for the ADD-addled video game crowd.
Interactive games are certainly evoked by two of the six episodes that were provided to press in advance, as both boast the photorealistic environments and admirably lifelike and emotiveif still clearly artificialhuman faces and figures found in AAA title cutscenes. Theres something startlingly authentic about the way vehicles move and physical spaces are rendered in Sonnies Edge, the shows first episode, even though its grimy blacks, greens and reds define the action in somewhat familiar sci-fi terms. Thats true of its narrative as well, about a young, facially-scarred combatant preparing to compete in a fight to the death against a male opponent. The Real Steel-ish catch is that shes not the one doing the actual brawling; instead, she uses mind-meld technology to pilot a giant reptilian creature (its head stretching backwards into a deadly spiked tail) against her adversarys brutish beast………………………………………………………………………”
The Disappearance of Madeleine McCann | Netflix
A detailed look at the disappearance of 3-year-old Madeleine McCann, who vanished while on holiday with her family. The Disappearance of Madeleine McCann. Only on Netflix March 15th.
Someone Great – Netflix Trailer
Aspiring music journalist Jenny (Gina Rodriguez) has just landed her dream job at an iconic magazine and is about to move to San Francisco. Rather than do long distance, her boyfriend of nine years (Lakeith Stanfield) decides to call it quits. To nurse her broken heart, Jenny gathers up her two best friends Erin (DeWanda Wise) and Blair (Brittany Snow) for one outrageous last adventure in New York City. From writer/director Jennifer Kaytin Robinson (creator of MTV’s Sweet/Vicious) SOMEONE GREAT is a hilarious and heartfelt story of friendship, love, and what it means to let go of your twenties and enter adulthood. Watch Someone Great April 19 on Netflix!
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