This recap contains spoilers for Outlander Season 3, episode 3, “All Debts Paid.”
Episode 3 of Outlander Season 3 is a pretty big deal for fans of Diana Gabaldon’s novels: Not only does it reintroduce a pivotal character in Lord John William Grey (all grown up and decidedly more dashing than the last time we saw him in Season 2, now portrayed by David Berry), but also closes the chapter on Claire and Frank’s tumultuous relationship in surprisingly poignant fashion.
While the show has to omit or streamline countless plot points from the novels in the adaptation process — including cutting Jamie’s trip out to the seals’ isle (although perhaps we’ll see it later in flashback) and the many prickly layers of his complicated relationship with Lord John — for the most part, Outlander’s writers do an admirable job of staying faithful to the emotional arcs that drive Gabaldon’s novels. That’s especially true of episode 3, written by Matthew B. Roberts, which takes our heroes on a believable and equally effective journey, even if the signposts are a little different along the way.
But “All Debts Paid” also featured a massive change to the narrative of Gabaldon’s Voyager — one that will have ripple effects across the series — and we couldn’t be happier about it.
In the books, Murtagh FitzGibbons Fraser, Jamie’s godfather and right-hand-man, is killed at the Battle of Culloden, but episode 3 reveals him to be alive (if not well) at Ardsmuir. When the prison is closed, the fan-favorite character, played by the indispensible Duncan Lacroix, is shipped off to the American Colonies with the rest of the prisoners, while Jamie is taken to an estate called Helwater to serve Lord Dunsany.
Showrunner Ron Moore tells Mashable that there was one very good reason why he chose to keep the beloved character alive: “Murtagh’s development in the series is different than the books basically from the beginning. We made him much more of a key player in the story, much closer to Jamie, and then he got in on [Claire’s] secret in Paris. He became part of the family in a different way than in the books. And I just wasn’t ready to let him go in Culloden. He is going to survive and we will catch up with him later, we will just keep him going.”
Fans who’ve read book four might have some idea how Murtagh could come back into Jamie’s life, but that’s a discussion for another day.
Back in the future, we see Claire’s relationship with Frank fracture beyond repair. The episode’s early moments reveal that Frank has been seeing other people, since Claire can no longer love him the way she did before, and while their agreement seems amicable at first, over the years, the connection between them deteriorates to the point where Frank decides he wants a divorce so that he can take Brianna back to England without Claire, to start a new life with his mistress — a suggestion that naturally incenses Claire.
(Sidenote: I hope the TV Academy and HFPA will finally pay attention to Outlander next awards season — over the course of these first three episodes, Caitriona Balfe, Sam Heughan, and Tobias Menzies have all done a spectacular job of establishing the passage of time through their nuanced, perfectly calibrated performances, conveying the agony of grief, insecurity and old wounds more effectively than any old age makeup or hair change could. Heughan’s powerful, restrained delivery when John touches Jamie’s hand effortlessly evokes all the trauma he suffered while at Black Jack’s mercy in a single expression, while Balfe and Menzies’ confrontations are searingly honest, loaded with the weight of two decades’ worth of unspoken resentments.)
Unfortunately, Frank never gets the chance to start over, because he’s killed in a car accident following the fight.
According to Balfe, Claire manages to be content in a marriage of convenience for so many years because she experienced true love with Jamie — but things aren’t quite so simple for Frank.
“She’s sort of decided within herself that once was enough for her, and that the memory of that love is enough to carry her through the rest of her life. Her marriage with Frank, yes, it’s a marriage of convenience, but I think it’s a marriage of friendship in some ways,” she tells Mashable. “They come to an agreement where she won’t ask any questions, he can do what he wants. She’s going to focus on her career and being a good mother, and he’s going to be a good father. It works for them, and it works for 20 years. And really the tragic victim in that marriage is Frank, because he’s somebody who really wants Claire and still is in love with Claire and still desires her, but she just can’t reciprocate it.”
She adds, “Everyone gives Frank such a bad rap, but if you’re in that marriage, I think he can’t help but try and find the things that he needs outside of it. Claire still has Jamie’s love inside her heart, so she’s good.”
As emotional as Claire’s farewell to Frank is, Balfe reveals that filming the hospital scene presented an unexpected challenge.
“Our first take, I look down and realize that sound had stuck a microphone to Tobias’ bare chest. That was not very emotional. I was like, ‘Um, does the dead guy need a microphone?'”
Despite the technical difficulties, Balfe adds that the scene was incredibly important for Claire as a character.
“At that point they were so emotionally far apart from each other, and the intimacy had been gone for so many years, but it’s like you don’t realize how much you love somebody until they’ve been taken away from you,” she notes. “They’ve been so used to living in this side by side world, but taking each other for granted, in a way, that at that moment she just realized that, there’s always been this huge love for [him]… It’s an apology.”
Tobias Menzies has now said goodbye to both his characters, Black Jack Randall and his descendant, Frank, but admits that he doesn’t exactly feel emotional about losing either:
“It’s sort of odder than that, because they’re all just like bits of you, so they don’t go anywhere. Will I miss playing them? Yes, it’s been great. It’s been an amazing ride. And I’ll also miss all the great friends that I’ve made on it. But it’s been fun to go on and do other things. We’ve been doing this for three and a half years now. But yes, I’ll definitely miss it, and it’s been a really great adventure.”
Outlander airs Sundays at 8 p.m. on Starz.
Watch: ‘Outlander’ Season 3 is a heartbreaker
Kit Harington was ‘shocked’ by ‘Game of Thrones’ ending
“HBO has confirmed Game of Thrones‘ final supersized episodes, including three that hit the 80-minute mark. While the first two episodes will be around the average Game of Thrones hour, the series’ final four episodes will be – as promised – roughly the same runtime as a short feature film.
The first two episode run times were already confirmed, but HBO released all six on Friday.
Episode 1: 54 minutes
Episode 2: 58 minutes
Episode 3: 1 hours, 22 minutes
Episode 4: 1 hour, 18 minutes
Episode 5: 1 hour, 20 minutes
Episode 6: 1 hour, 20 minutes
Resourceful fans have been sussing out the official episode lengths for months now. Winter is Coming approximated all of them as early as January, thanks to some French press for the show.
On Monday, an online commenter figured out that tinkering with some HBO URLs revealed the exact run times of all six episodes, which are almost exactly as HBO went on to confirm.
Game of Thrones returns April 14.”
Late Night – Official Trailer Amazon Studios
Katherine Newbury (Emma Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and—presto!—Molly (Mindy Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalizing her show and career—and possibly effect even bigger change at the same time. LATE NIGHT is in theaters June 7th.
5 Amazon Prime Original series you need to binge in March
“Amazon Prime Video is making great strides to increase its library of original programming, with roughly half-a-dozen original series hitting the platform every month. March brings a wide variety of new Amazon Prime TV shows, from debuting survival thrillersThe WidowandHannato the final season of dysfunctional British sitcomCatastrophe. With new series rolling out nearly every Friday in March, you’ll never be at a loss for new Amazon Prime TV shows to start binging. If that’s not enough, you can check out our comprehensive guide to in March.
For now, though, here are five Amazon Prime TV shows you need to watch in March 2019.
Amazon Prime TV shows: 5 new series to watch in March 2019
1) The Widow season 1 (March 1)
<img ” src=”//www.dailydot.com/wp-content/uploads/2019/02/amazon_prime_tv_shows_the_widow.png” alt=”” style=”display:none”/> Amazon Prime Video/YouTube
Georgia Wells cant get over the plane crash that killed her husband, Will. Maybe thats because nobody ever found his body. Now, large cash withdrawals are being made in Georgias name, and strange footage leads her to believe her intuition was rightmaybe Wills not dead. Armed with this new information, Georgia embarks on a mission across the Congo, dodging corrupt government and deadly mercenaries to find the truth about her long-lost husband.
2)Tin Starseason 2(March 8)
Season 2 of thisBritish-Canadian drama with Christina Hendricks (Mad Men)picks up right where season 1 left off: with Sheriff Jim Worth (Tim Roth) bleeding out in the snowy mountainside, having just been shot by his own daughter. Will there be a reckoning or a reconciliation? Both? This underrated series is worth catching up with……………………………………………………”
See the rest of the list by clicking here: https://www.dailydot.com/upstream/new-amazon-prime-tv-shows-march-2019/
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