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Queen’s ‘Bohemian Rhapsody’ is now the most-streamed song from the 20th century

Charmaine Blake

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(CNN)In the battle for 20th-century streaming glory, Queen reigns supreme.

“The 1975 song bested such other classics as Nirvana’s “Smells Like Teen Spirit” and Guns N’ Roses’ “Sweet Child O’ Mine.”
The label says the song and official video for “Bohemian Rhapsody” have garnered more than 1.6 billion streams globally across all major streaming services.
“So the River of Rock Music has metamorphosed into streams! Very happy that our music is still flowing to the max!” Queen’s guitarist and founding member Brian May said in a statement.
The six-minute song likely received a bump thanks to the recent release of “Bohemian Rhapsody,” the Queen biopic that stars Rami Malek as singer Freddie Mercury. The movie has grossed almost $600 million worldwide and is nominated for two Golden Globes.
The singular song, which combines elements of balladry, opera and hard rock, returned to the Billboard Hot 100 last month.
In a statement, chairman and CEO of Universal Music Group Sir Lucian Grainge called “Bohemian Rhapsody” “one the greatest songs by one of the greatest bands in history.”
“We are so proud to represent Queen and are thrilled to see the song still inspiring new fans around the world more than four decades after its release,” he said.
“Bohemian Rhapsody,” from Queen’s album “A Night At The Opera,” was Queen’s first Top 10 hit in the United States and topped the charts in the UK for nine consecutive weeks, a record at the time.
The song got renewed life in 1992 when it was featured in the movie “Wayne’s World.” It was inducted into the Grammy Hall of Fame in 2004.”

Read more: https://www.cnn.com/2018/12/11/entertainment/queen-bohemian-rhapsody-streams/index.html

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Why the dance numbers in the new ‘Aladdin’ are so disappointing

Charmaine Blake

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‘Remember the steps. Remember your training. Do not embarrass us.’

Image: Daniel Smith/disney

“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.

From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).

So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.

Image: giphy

Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”

Read more: https://mashable.com/article/aladdin-dancing/

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How The Blair Witch Project changed horror for ever

Charmaine Blake

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The movie’s marketing took advantage of trust in the early internet, but fake news isn’t what it used to be

“We will never get a movie like The Blair Witch Project again. Having said that, weve had dozens of movies like The Blair Witch Project. In the 20 years since its release, it has transformed the horror landscape, and more besides. Found footage is now a sub-genre in itself thanks to it. How many horror movies have we seen claiming: This all really happened, honest? How many occult symbols and folk myths have crossed our screens? How many gung-ho teens have set off on an adventure, never to return? And how many times has a gimmicky horror reaped rewards for virtually no outlay? Blair Witch did not invent all these tricks but it put them together to create a phenomenon. It is the 21st centurys Exorcist………………………………………………….”

Read more: https://www.theguardian.com/film/2019/apr/08/how-the-blair-witch-project-changed-horror-for-ever

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Yes, ‘New Mutants’ is still coming, Probably.

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Jean Grey comes into her powers in ‘Dark Phoenix’.

Image: 20th Century Fox

“The X-Men are part of the Disney family now, and never has that felt clearer than at the studio’s CinemaCon presentation Wednesday.

Disney touted both Dark Phoenix and New Mutants as part of its upcoming slate, alongside the usual Avengers and Star Wars and Pixa

What exactly the X-Men’s future looks like at the Mouse House, though, remains unclear.

Deadpool clearly isn’t going anywhere. “You’ll be seeing more of Deadpool in the years ahead,” promised studio chairman Alan Horn, after sharing Ryan Reynolds’ cheeky tweet about Fox joining Disney.

And New Mutants, despite delayed release dates, reports of reshoots, and rumors of a straight-to-streaming distribution plan, does seem to be headed to cinemas — it was included on a slide of Disney’s 2019 theatrical releases.

But the core X-Men franchise led by James McAvoy, Michael Fassbender, Jennifer Lawrence, and Sophie Turner is evidently coming to a conclusion. Dark Phoenix, out this summer, was described by 20th Century Fox’s Emma Watts as “the perfect sendoff” to the X-Men series……………………………………………………….”

Read more: https://mashable.com/article/dark-phoenix-deadpool-xmen-disney-cinemacon/

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