The director, along with stars including Jake Gyllenhaal and Meryl Streep, has filed court papers claiming the company owes him money
“Quentin Tarantino has filed court papers to state that he is owed over $4m in royalties from the Weinstein Company.
The failed film company is currently taking bids for its assets yet before any sale is made, the film-maker has posted an objection along with a host of other big names, including Jennifer Lawrence and Jake Gyllenhaal.
According to the Hollywood Reporter, the directors lawyer has filed papers referring to numerous uncured monetary and non-monetary defaults that he is owed before any sale is made. He is seeking $300,000 for Grindhouse, $575,000 for Inglourious Basterds, $1.25m for Django Unchained and nearly $2.5m for The Hateful Eight.
Tarantinos long-running friendship with Harvey Weinstein was put under the spotlight after the producer was accused of sexual assault and harassment by a long list of women in the past year. I wish I had taken responsibility for what I heard, he told the New York Times in October last year. If I had done the work I should have done then, I would have had to not work with him.
The film-maker cut ties with Weinstein and moved his next project, the ensemble drama Once…”
Peter Dinklage gets yet another Emmy for his role as Tyrion Lannister
Peter Dinklage wins yet another Emmy for his role in ‘Game of Thrones.’
Peter Dinklage won his third Emmy for most outstanding supporting actor in a drama series at the Emmys on Monday.
Dinklage, who plays the iconic Tyrion Lannister in HBO’s Game of Thrones, was nominated alongside fellow Game of Thrones actor Nikolaj Coster-Waldau, who plays his brother Jaime Lannister.
For his work as Tyrion, Dinklage has been nominated in the category seven times, winning in 2011, 2015, and now 2018.
In his acceptance speech, Dinklage thanked Coster-Waldau, who earned his first Emmy nomination for his work on Game of Thrones this year.
Hopefully both actors survive the final season of Game of Thrones coming in 2019, or at least get one more nomination next year if they do meet their demise.
‘Green Book’ Wins Toronto Film Festival’s People’s Choice Award
Peter Farrelly’s “Green Book” has won the Grolsch People’s Choice Award at the 2018 Toronto International Film Festival, TIFF announced at an awards ceremony on Sunday.
The film, which tells the true story of an Italian-American nightclub bouncer (Viggo Mortensen) who serves as the chauffeur for a black pianist (Mahershala Ali) on a tour through the Deep South in the early 1960s, opened at the festival on Tuesday and was an instant hit with audiences and critics, although Bradley Cooper’s “A Star Is Born” had been considered the likely winner of the People’s Choice Award.
Runners-up for the award were Barry Jenkins’ lyrical James Baldwin adaptation “If Beale Street Could Talk” and Alfonso Cuaron’s moving memory piece “Roma.”
In the past, Toronto audience members voted by depositing their ticket stubs in a box at the theater, or by using the TIFF app — festival organizers took into account the size of the theaters in which each film screened — with the films that received votes from the largest percentage of their audience winning the prizes…………………”
Read More Here: https://www.thewrap.com/green-book-wins-toronto-film-festivals-peoples-choice-award/
Henry Cavill Out As Superman!
“It’s not Kryptonite that will end Henry Cavill’s run as Warner Bros.’ grimdark Superman; it’s a studio pivot.
Cavill is reportedly finished as the Man of Steel, with unnamed studio insiders telling The Hollywood Reporter that he won’t be donning the signature DC Comics superhero’s cape and tights again. It’s said to be part of a larger move aimed at fixing WB’s flagging DC Extended Universe (DCEU).
The rumored exit apparently started with a much smaller disagreement: The studio wanted Cavill for a cameo in the upcoming Shazam!, out April 5, 2019. But talks between WB and the actor’s reps didn’t go anywhere.
Beyond that, the studio also understands that bigger changes are needed. To date, the only universally successful DC-pegged release was 2017’s Wonder Woman, which landed both with critics and at the box office.
As one insider said, “There’s a recognition that some parts of the previous movies didn’t work.” (LOL at that understatement.) So now, WB is trying to hit “reset” (per another source) on the whole endeavor.
That reset reportedly includes a shift in focus from Superman to Supergirl. That movie would serve as an origin story, starring a teenage hero………………….”
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