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Reese Witherspoon: I buy books and turn them into movies because…

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When it comes to putting women at the forefront in TV and film, Reese Witherspoon is showing Hollywood how it’s done. She tells Gemma Dunn why she decided to create her own opportunities.

When Reese Witherspoon and her Big Little Lies co-stars took to the stage at this year’s Emmy Awards, they were met with rapturous applause.

Hand in hand, the five stars – an indomitable tribe made up of Nicole Kidman, Witherspoon, Laura Dern, Zoe Kravitz and Shailene Woodley, no less – were proof the tide is turning in Hollywood, as the 69th ceremony became historic for its celebration of women in front of and behind the camera.

The irresistible HBO show – based on the book by Australian author Liane Moriarty – had cleaned up, winning eight major awards including Outstanding Limited Series.

“It’s been an incredible year for women in television,” declared Witherspoon, (41), as she accepted the latter alongside her cast mate and co-producer Kidman.

“Can I just say, bring women to the front of their own stories, and make them the hero of their own stories.”

Gripping the star’s hand, Kidman, who also took home best actress, added: “This is a friendship that then created opportunities. It created opportunities out of our frustration because we weren’t getting offered great roles, so now more great roles for women, please.”

Delivering a message that’s hard to ignore, I’m not at all surprised to find Witherspoon – an Academy Award winner in her own right – still processing the night’s events four days later.

“It’s been amazing. It’s been a really interesting time,” quips the Walk the Line actress, sipping tea from a dainty china cup in a London hotel. “I’d never gone to the Emmys before, so it was really fun. (There are) so many talented women: Susan Sarandon, Jessica Lange, Oprah …

“(We’ve been) getting so many well-wishes”, continues the Louisiana-born star. “People are really responding to how many women won.”

Is she seeing a change in the scripts she’s being offered, then?

“Nope”, she fires back, exasperated. “That’s why I’m buying books and turning them into movies, because the scripts are dreadful”, she reasons, having headed up such novel-to-screen adaptations as Cheryl Strayed’s memoir Wild and Gillian Flynn’s Gone Girl, under her production banner Pacific Standard.

“Honestly, the things that come at me normally are just dreadful and it’s a huge industry.”

She follows: “I think when you’re trying to establish yourself, you take a lot of projects that maybe aren’t, you know, expressive of who you are as an artist or what you want to accomplish, but certainly as you get older you think, ‘Why am I doing this?'”

It goes without saying, then, Witherspoon’s resume has done a 180 since her breakthrough role playing blonde sorority girl Elle Woods in the 2001 classic Legally Blonde.

But while her latest outing might look like it affords the same rom-com tropes – Home Again is, in fact, very different.

For starters, the movie boasts two brilliant filmmakers: legendary producer Nancy Meyers (The Holiday, It’s Complicated) and her daughter, Hallie Meyers-Shyer, who will make her directorial debut.

Secondly, it’s a contemporary title that challenges the standard definitions of family, as in between love, friendship and family, it offers a life lesson that starting over is not for beginners.

That teaching comes in the form of Alice Kinney (Witherspoon), a 40-year-old who has recently separated from her husband (Michael Sheen) and therefore decides to start over by moving back to her hometown of Los Angeles with her two young daughters. It’s there she comes across three young filmmakers and, having agreed to a temporary living arrangement, finds her newfound life unfolding in unexpected ways.

For Witherspoon, it was refreshing to explore the truth of divorce, as opposed to a traditional love story.

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In charge: Reese with Laura Dern

“(To) have a woman separated in the very beginning of the film is a very modern concept”, she says of Home Again, admitting she was keen to explore the notion that decisions you make at 25 don’t necessarily suit your life further down the line.

“I loved the script. I think so many people can relate to the journey of getting divorced and not knowing what’s next,” she adds. “People are going through that more and more, so it’s nice to see reality reflected on film.”

Restating her support for ‘dynamic’ women steering the ship, she states: “It’s great to have a female director and a female producer (too).

“They really see romance in a different kind of way and it’s definitely through their lens that you see a romance between an older woman and a younger man …”

But she’s quick to point out it goes far beyond mother-daughter bonding.

“It’s been really fun to see Hallie and Nancy’s dynamic and how they speak the same language,” Witherspoon enthuses. “They think the same ways about comedy and character.

“It’s nice for me to be around so many female filmmakers,” she says. “It’s important that we have female voices in film and I think Hallie is going to be a great new voice.”

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Reese Witherspoon with Pico Alexander, who plays her love interest, Harry

But ultimately, she insists, it’s about updating the age-old rom com: “Audiences are ready for something a little more modern.”

A mother to three children, Witherspoon – who shares a son and daughter with her ex-husband, actor Ryan Phillippe, and a young son with her second husband, talent agent Tim Roth – is ever conscious of setting a fine example to her brood. In particular, her lookalike daughter Ava, who she took as her plus-one to this year’s Emmys.

“I look forward to the day when she gets to be the boss”, Witherspoon says of the 18-year-old. “I will be like happy; I’m like ‘Youuu take the responsibility'” she adds, her southern twang in full force.

“It’s shifted definitely to, ‘Wow, look at what my mother and these other women are accomplishing and I am so proud of them'”, she concludes, smiling. “She is learning a lot from these incredible women that I get to spend time with – it’s the dream.”

  • Home Again is in cinemas province wide

Belfast Telegraph

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New Movie News

How ‘Captain Marvel’ pays tribute to the late, great Stan Lee

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Stan Lee at the premiere of Marvel’s ‘Captain America: Civil War’ in 2016.

Image: Getty Images

“In keeping with Marvel Cinematic Universe, Captain Marvel features a Stan Lee cameo. What is a little different this time, though, is how it plays out in the movie.

Shortly after Vers (a.k.a. Carol Danvers, a.k.a. Captain Marvel) lands on Earth, she finds herself on a train, trying to spot the shapeshifting Skrull among all the ordinary-looking human passengers.

At one point, her eyes fall upon an elderly man conspicuously reading a Mallrats script. It’s Stan Lee, practicing his lines for his cameo in that other movie. “Trust me, true believer,” he mutters to himself. You can watch that entire Mallrats scene below:

The Captain Marvel scene was originally written by directors Anna Boden and Ryan Fleck as just another fun, funny appearance by the comics legend. But after his passing in November, the filmmakers felt compelled to update the sequence to acknowledge the “gravitas” of the moment.

“Instead of just the pure laugh we had, we had a little bit of a smile from Captain Marvel in response to it, and she kind of breaks character for a moment,” Boden told me during an interview in Los Angeles last month. “I think it reflects a little bit of what the audience is feeling, and we allowed that to happen.”

In the finished cut of Captain Marvel, Vers’ gaze lingers on him for a few moments and she smiles to herself, before moving on with the rest of her quest. At the screening I attended, the audience definitely appreciated the homage – there were sighs, moans, and even a smattering of applause.

That cameo is actually the second of two Lee shout-outs in the film. The first occurs right at the start. The usual Marvel Studios opening fanfare is replaced by a special Lee-centric version, featuring all his many cameos across various Marvel movies……………………………………………….”

Read more: https://mashable.com/article/captain-marvel-stan-lee-cameo/

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‘A Star Is Born’ takes a theatrical victory lap with bonus footage

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Lady Gaga and Bradley Cooper in ‘A Star Is Born.’

Image: warner bros.

“After winning an Oscar for best original song, A Star Is Born is returning to theaters for one week with some new bonus footage.

A Star Is Born is taking its Oscar victory lap starting on Friday at more than 1,100 theaters, giving fans and new viewers a chance to see 12 minutes of bonus footage, The Hollywood Reporter reported Wednesday. The new footage includes extended song performances, new song performances, and Lady Gaga’s a cappella rendition of “Shallow.”

“Shallow,” written by Lady Gaga, Mark Daniel Ronson, Anthony Rossomando, and Andrew Wyatt, earned the movie Best Original Song at the Academy Awards on Sunday. A Star Is Born was nominated for a total eight awards, including Best Picture. “Shallow” also earned two Grammys earlier in February………………………………………………………..”

Read more: https://mashable.com/article/a-star-is-born-extended-cut-new-song/

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Here’s a complete list of every winner at the 2019 Oscars

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Image: mashable composite

“Welcome to the 2019 Oscars, where it’s Queen vs. Queen Anne, A Star Is Born‘s fourth time up to bat, a victory lap for Wakanda fans, and so much more.

Last year was packed with some incredible films. In a tight race to determine the best of the best (according to the Academy of Motion Picture Arts and Sciences), it all comes down to one big night at the Dolby Theater in Hollywood.

Below, updating live, are all the winners at the 91st Academy Awards — and the Oscar goes to…

Best Picture
Black Panther
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book — WINNER
Roma
A Star Is Born
Vice

Best Actor
Christian Bale, Vice
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Rami Malek, Bohemian Rhapsody — WINNER
Viggo Mortensen, Green Book

Best Actress
Yalitza Aparicio, Roma
Glenn Close, The Wife
Olivia Colman, The Favourite — WINNER
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?

Best Supporting Actor
Mahershala Ali, Green Book — WINNER
Adam Driver, BlacKkKlansman
Sam Elliott, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Sam Rockwell, Vice

Best Supporting Actress
Amy Adams, Vice
Marina de Tavira, Roma
Regina King, If Beale Street Could Talk — WINNER
Emma Stone, The Favourite
Rachel Weisz, The Favourite

Best Director
Spike Lee, BlacKkKlansman
Pawel Pawlikowski, Cold War
Yorgos Lanthimos, The Favourite
Alfonso Cuarón, Roma — WINNER
Adam McKay, Vice………………………………………………………………………………”

See the rest of the list here: https://mashable.com/article/oscars-winners-list-2019/

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