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Robert Redford’s greatest screen roles ranked!

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As the actor and Oscar-winning director reveals his plans for retirement, we rank his 10 best performances in front of the camera

10. Brubaker (1980)

“Released in the same year as his clunky but multiple Oscar-winning directorial debut Ordinary People, Brubaker showed a tougher side to Redford than anyone had seen before. As a prison warden who goes undercover as an inmate to clean up the penal system, he had to raise his game among some hardened character actors. The movies I liked making dealt with an America that was a little different from the America that was propagandised, he said. Theres a grey zone that I know, and I want to tell stories about that complex part of America.

9. The Twilight Zone Nothing in the Dark (1962)

None of Redfords early TV appearances were as haunting as his personification of death in this creepy-sad episode of The Twilight Zone. You see? he says, glowing handsomely and gesturing to an old womans dormant body as he leads her spirit into the afterlife. No shock. No engulfment. No tearing asunder. What you feared would come like an explosion is like a whisper. What you thought was the end is the beginning.

8. The Great Gatsby (1974)

Before DiCaprio there was Redford: he may never have exuded the pure electricity of the junior actor, and his chemistry with Mia Farrow (as Daisy) was meagre, to say the least, but his permanently distracted air was just right for Jay Gatsby. In the midst of even the most vibrant shindig, he seems uniquely alone. Fame does that to you.

7. Sneakers (1992)

This underrated techno caper-comedy, about a crack team of computer security experts, was led by Redford and features River Phoenix, Sidney Poitier and Dan Aykroyd. Redfords occasional returns to light comedy could be spotty Legal Eagles should be outlawed but hes having a blast here as the slightly bumbling former radical who has become something of a sellout.

Redford
Redford in The Great Gatsby (1974). Photograph: Everett Collection/Rex

6. Three Days of the Condor (1975)

Redfords most frequent collaborator was the director Sydney Pollack, with whom he made six films including the 1972 western Jeremiah Johnson and the Oscar-bait drama Out of Africa (1985). Their best, though, was this jittery conspiracy thriller in which Redford, working for a clandestine CIA group, has to be brought in from the cold after his team is massacred. Cherish the justified sense of Watergate-era dread, as well as the opening shot of Redford cycling through traffic in a goofy woolly hat and trainers…………….”

See the rest of the list here: https://www.theguardian.com/film/2018/aug/09/robert-redfords-greatest-screen-roles-ranked

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Princess Diana was set to star in sequel to The Bodyguard with Kevin Costner

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Actor has confirmed the late Princess of Wales was keen to play role after conversations instigated by Sarah Ferguson

“Kevin Costner has confirmed that the late Princess of Wales was set to star alongside him in a sequel to 1992 hit The Bodyguard, in which he starred as an agent assigned to protect a pop star played by Whitney Houston.

Speaking to PeopleTV, Costner said that he, Diana and producers were eager to get the project off the ground.”

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The 10 best films of 2019 (so far)

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“It’s been a rough ride, but here we finally are at the end of a long year. Pop the champagne! Raise your glasses! We’ve done it, guys! We’ve suffered and struggled and lived to tell the tale!

Except, wait… what’s that you’re telling me? We’re only halfway through 2019? And we need to do all of this all over again before we’re finally done with this year?

Ugh.

Well, at least we’ve got the movies to help pass the time. The first half of 2019 has already given us so many new films to treasure — to laugh at, marvel at, ponder, or feel omg-so-SEEN by. Here are some of our favorites so far:

10. John Wick: Chapter 3 – Parabellum

The third entry in the John Wick saga digs ever deeper into the gloriously absurd mythology of this particular underworld, turning up killer dogs, gold-minting factories, punctilious bureaucrats, and even a handful of gushing John Wick fanboys………………………”

See the rest of the list here…

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Why the dance numbers in the new ‘Aladdin’ are so disappointing

Charmaine Blake

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‘Remember the steps. Remember your training. Do not embarrass us.’

Image: Daniel Smith/disney

“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.

From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).

So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.

Image: giphy

Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”

Read more: https://mashable.com/article/aladdin-dancing/

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