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The Coen Brothers Films Ranked!

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“With the 20th anniversary re-release of The Big Lebowski, we rank the duos films (directing only), from their 1984 debut Blood Simple to this years The Ballad of Buster Spruggs

18. The Ladykillers (2004)

What on earth was this about? A remake of the Ealing crime-caper classic (with Tom Hanks in Alec Guinnesss crackpot mastermind role) at least proves, if proof were needed, that the Coens have excellent cinephile taste. But this was pointless and baffling. A case of No Coen Do.

17. Burn After Reading (2008)

What a dogs brunch of a film: a strained and unfunny black comic gang-show of big names, with one or two good gags and an admittedly intriguing turn from Brad Pitt as a dopey fitness freak.

16. The Hudsucker Proxy (1994)

This period Capraesque comedy about an ordinary guy a rather uncharismatic Tim Robbins who is elevated to corporate greatness as part of a share-price scam is an example of how the Coens comedy can sometimes lack focus: too quirky and spongy.

15. O Brother, Where Art Thou? (2000)

The Coens love of Preston Sturges resurfaced in this film that whimsically takes upon itself the title of the desperately serious social-realist movie being planned in Sturges 1941 Sullivans Travels. It is an appealing, likable film about three runaway chaingang convicts in depression America who pass themselves off as a bluegrass trio, their record somehow becoming a hit. Silly, amiable stuff that has faded with time.

14. Hail, Caesar! (2016)

More golden age Hollywood nostalgia with this cantering comedy about tinseltown: the boozers, the fixers, the divas, the hoofers, the scribblers. It features George Clooney as a none-too-bright ageing star in a cheesy toga-wearing Roman epic. The movie reminded the world what a great dancer Channing Tatum is.

13. True Grit (2010)

Unprecedented commercial success was what the Coens found with this handsome remake of the 1969 John Wayne classic; or rather a new adaptation of the original novel by Charles Portis. Jeff Bridges was probably the only possible casting as the no-account Rooster Cogburn, with Hailee Steinfeld as his employer, the 14-year-old Mattie Ross. It is a good-natured, well-made movie, but perhaps without the strong taste of the original, or the Coens other films.

True
True Grit. Photograph: HO/Reuters

12. Intolerable Cruelty (2003)

Here is the biggest underrating issue in contemporary Coenological studies. On release, most critics seemed to decide that this screwball divorce comedy with Catherine Zeta-Jones and George Clooney was no good. I disagree. The smoothie lawyer Miles Massey was a part Clooney was born to play, and Zeta-Joness cat-that-has-every-intention-of-getting-the-cream predator is tremendous.

11. Raising Arizona (1987)

Some Coenoisseurs regard this early comedy as one of the top three; maybe even the gold medal. For me, it doesnt stand up that well, but it is an utterly distinctive film with twang and snap, a realist-fantasy action comedy drama with weird subplots and extraneous minor characters. Holly Hunter is the cop who falls in love with Nicolas Cages criminal; on discovering they cant have kids, they get involved in the most wackily innocent child abduction imaginable.

10. The Ballad of Buster Scruggs (2018)

The Coens have created a gem with their latest film, a western portmanteau of tales from a comically picturesque old west, conceived with humour, warmth and visual flair. Some stories are better than others, but the best are superb, and Tim Blake Nelson has what must be the greatest role of his career as Buster Scruggs, the singin, gunslingin cowpoke……………………………..”

See the Rest of the List by Clicking the Following Link: https://www.theguardian.com/film/2018/sep/07/the-coen-brothers-film-ranked

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Princess Diana was set to star in sequel to The Bodyguard with Kevin Costner

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Actor has confirmed the late Princess of Wales was keen to play role after conversations instigated by Sarah Ferguson

“Kevin Costner has confirmed that the late Princess of Wales was set to star alongside him in a sequel to 1992 hit The Bodyguard, in which he starred as an agent assigned to protect a pop star played by Whitney Houston.

Speaking to PeopleTV, Costner said that he, Diana and producers were eager to get the project off the ground.”

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The 10 best films of 2019 (so far)

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“It’s been a rough ride, but here we finally are at the end of a long year. Pop the champagne! Raise your glasses! We’ve done it, guys! We’ve suffered and struggled and lived to tell the tale!

Except, wait… what’s that you’re telling me? We’re only halfway through 2019? And we need to do all of this all over again before we’re finally done with this year?

Ugh.

Well, at least we’ve got the movies to help pass the time. The first half of 2019 has already given us so many new films to treasure — to laugh at, marvel at, ponder, or feel omg-so-SEEN by. Here are some of our favorites so far:

10. John Wick: Chapter 3 – Parabellum

The third entry in the John Wick saga digs ever deeper into the gloriously absurd mythology of this particular underworld, turning up killer dogs, gold-minting factories, punctilious bureaucrats, and even a handful of gushing John Wick fanboys………………………”

See the rest of the list here…

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Why the dance numbers in the new ‘Aladdin’ are so disappointing

Charmaine Blake

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‘Remember the steps. Remember your training. Do not embarrass us.’

Image: Daniel Smith/disney

“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.

From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).

So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.

Image: giphy

Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”

Read more: https://mashable.com/article/aladdin-dancing/

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