“Late last week, it seemed as though the very expensive, very Stathamy underwater thriller The Meg was on its way to becoming a dead shark. Even though the film—an adaptation of the 1997 novel by Steve Alten—had an online fanbase more than 20 years old, most predictions pointed toward a relatively low opening weekend at the box office. For a movie with a megalodon-sized $150 million estimated budget, this was ominous news. So were the The Meg‘s mostly meh reviews.
By Sunday night, however, the movie had become one of the year’s few Hollywood surprise stories, making $45 million in one of the highest debuts of the year. That turnout helped obliterate the weekend’s other long-in-the-works thriller: Slender Man, the adaptation(?) of a nearly 10-year-old meme that originated in the world of web-borne urban legends known as “creepypasta.” Slender Man earned far less than The Meg, making about $10 million. That was better than expected for a barely marketed schlock thriller. But it will likely disappear from theaters soon, considering its damning D– grade on audience-reaction tracker CinemaScore. To get an idea of how uniquely calamitous that is, consider that 2015’s Fantastic Four—a movie that actually ends with this scene—wound up a mere C– score.
Both The Meg and Slender Man are, in their own ways, “internet movies,” a hazy descriptor that can be applied to any film with a uniquely nutty prerelease relationship with the web. Internet movies tend to fall within two categories: The majority are like The Meg, which was embraced online in the weeks or months (or even decades) before its arrival. A film like Slender Man is far rarer, as it works in reverse…………….”
Taraji P Henson: ‘Hollywood didn’t grasp my talent’
Harvey Weinstein obstructed her rise now, with her new film What Men Want, she is calling the shots. But what does she make of her Empire co-star Jussie Smolletts hate-crime controversy?
“On a December morning in Los Angeles, the sun blazes down on a large and abundantly decorated Christmas tree in the parking lot at Paramount Pictures. It is upstaged, though, by the actor Taraji P Henson, who swans past wearing an ensemble that calls to mind the futuristic fashion of the 1970s: steampunk sunglasses, a black tracksuit under a puffy gilet and chunky grey, orange and lime sci-fi pumps, possibly with rocket boosters in the soles. Her hair is arranged in tight braids, some piled on her head, others swishing around her shoulders.
As we take our seats in a brightly lit office upstairs, she removes from her flowery backpack a tub of beige mush. What is that, mashed banana? Nuh-uh, she says between mouthfuls. Its an oatmeal alkaline thing. Its got quinoa in it. I gotta be careful because I dont digest a heavy grain. She takes a sniff and laughs. It smells like dirt, it really does. She went vegan last year after a doctor told her it could reduce the chances of getting stomach cancer. You can do it if you have a good chef, she says encouragingly. I make a mental note to have a chat with mine……………………………………………………………………….”
Netflix vs. Steven Spielberg is a battle over the future of the movie experience
“New York (CNN Business)Netflix wants to change how you watch movies. Steven Spielberg wants to preserve the theatrical experience. Those two points of view are clashing, with Netflix pushing back against a plan that Spielberg reportedly has to create rules that could block the streaming giant from future Oscars contention.
Luke Perry: forever the thrillingly cool teen pinup
Perry never quite escaped the shadow of Beverly Hills, 90210. But this was not a failing it was proof of how seminal the show, and Perrys handsome rebel Dylan McKay, was to a generation
“Teen pinups who free themselves of their TV origins can be counted on one hand with fingers to spare: Ron Howard. Michael J Fox. Zac Efron.
Luke Perry never quite made it to those ranks, but thats no discredit to him. Despite working pretty regularly until the day he died which is more than a lot of teen stars can say he always knew his obituaries would read Dylan McKay has died, referring to the bad(ish) boy he played in the original series of Beverly Hills, 90210 from 1990-1995, and then again in 1998-2000 when he gamely, if through somewhat gritted teeth, revived the character. And so it has proved to be the case.
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