Remember Megan Fox? Of course you do! She exploded to superstardom after Michael Bay cast her in the Transformers franchise. Back in 2007, she was a regular fixture on ‘Hottest Woman Alive’ lists, and her name was all over entertainment news. So what happened to her?
Fox has barely been seen in recent years. She was booted from the third Transformers movie without any explanation and more or less disappeared from Hollywood altogether. Sure she’s done a handful of movie and TV appearances since, but any movie she’s stared in during the better part of the last decade seems to have been a colossal flop. Perhaps Fox just burnt out? After all, she was basically plucked from obscurity and thrust into the spotlight. Even Fox acknowledges that she was overexposed. “I was part of a movie that [the studio] wanted to make sure would make $700 million, so they oversaturated the media with their stars,” Fox told Nylon. “I don’t want to have people get completely sick of me before I’ve ever even done something legitimate.” However, it turns out Fox’s disappearance from the spotlight is much more complicated than being overexposed… Back in 2009, at the height of Fox’s popularity, some magazines were calling for a boycott of Fox to end the overexposure. But it was actually Transformers director, Michael Bay, with a little nudge from Steven Spielberg, who ended Megan’s career. It turns out Bay was not too happy about some comments Fox had publicly made about her Transformers director. At the time, she was just 23 years old, and perhaps giving that much fame to someone so young led to saying some things she really shouldn’t have. Fox told Wonderland Magazine that Bay was “like Napoleon and he wants to create this insane, infamous mad-man reputation. He wants to be like Hitler on his sets, and he is.” She continued, “So he’s a nightmare to work for but when you get him away from the set, and he’s not in director mode, I kind of really enjoy his personality because he’s so awkward, so hopelessly awkward. He has no social skills at all. And it’s endearing to watch him.” It’s not exactly the kind of thing you should be saying about the person who has the ability to fire you! It took Bay two years to publicly comment on what Megan had said, but he revealed that it was Steven Spielberg who urged him to fire her immediately, particularly because of her comparison between Bay and Hitler. “I wasn’t hurt, because I know that’s just Megan. Megan loves to get a response,” Bay told GQ. “And she does it in kind of the wrong way. I’m sorry, Megan. I’m sorry I made you work 12 hours. I’m sorry that I’m making you show up on time. Movies are not always warm and fuzzy.” Megan has since apologized and admits that time period was a real low point in her career. However, she credits her firing to a true life lesson. “I wouldn’t have learned as quickly as I did,” she claims. “All I had to do was apologize – and I refused. I was so self-righteous at 23, I couldn’t see it was for the greater good. I really thought I was Joan of Arc.” Fox, now 31, is a busy mother of three children. She claims she never planned to be an actress forever and always felt she had another calling. While it can’t be said if she’ll ever return to previous levels of fame, Fox admits to her mistake. Check out the video below for more from Fox on her career and family life: I guess we’ll always have Transformers, right?
Ron Howard reveals George Lucas’ involvement in ‘Solo’
Alden Ehrenreich (Han Solo) with George Lucas and Ron Howard at the Hollywood premiere of ‘Solo.’
“He may have retired from the galaxy far, far away after he sold his company for $4 billion in 2012. But Star Wars creator George Lucas has his fingerprints all over the latest movie in the Disney-Lucasfilm canon — according to his friend, Solo director Ron Howard.
Not only did Lucas come up with the idea for a Han Solo spin-off first — long before Rogue One was a thing — but he was there on set to offer advice on how his creation would behave. And he even tried his hand at acting: pitching one scene, “he played Han Solo,” Howard says.
In a wide-ranging interview with Mashable, Howard also recalled how Lucas first told him about Star Wars on the set of American Graffiti in 1972, explained why the look of the film is a homage to Lucas’ signature style, and dangled the possibility that Lucas could return to direct more Star Wars films — if the fans wanted.
Here’s our Q&A, which has been edited for length, clarity and the removal of spoilers.
Mashable: One of my first responses to seeing Solo, and I mean this in the best possible way, was: it’s the dirtiest Star Wars ever.
Ron Howard: Good! That sort of visual honesty was really important to the cinematographer, Bradford Young. I really agreed with it. The idea that really hooked him was that he could shoot some of this in [1971 Western] McCable and Mrs. Miller style. I was thinking of gritty, existential 1970s car movies like Bullitt and Vanishing Point.
M: That was George Lucas’ breakthrough with Star Wars; he talked about the used universe, making space feel lived-in. Did you feel like you were kind of dropping the mic on the used universe? Like, it can’t get more used than this.
RH: [Laughs] Well, the more you begin to really drill down on the way of life and the characters — and this is probably the most character-driven of the movies. I mean, it’s not an epic war story. It’s not political. It really is: how do these relationships impact Han?
The more up close and personal we get with the characters, the more used the universe is going to feel. It’s those details about how things really work — that’s the stuff prop makers and set designers just love to explore. They pull out references from different corners of our Earth and find ways to adapt them.
M: Were you there saying “throw more mud at that Wookiee?”
RH: Oh yeah, that was part of the promise of this. As action adventure movies go, I always loved Road Warrior. And while there’s nothing post-apocalyptic about Solo, we are in a lawless time. Some of it takes place in frontier towns. [Han’s homeworld] has this grimy port culture with a seedy underbelly. That grime is part of what’s interesting about this movie.
M: Let’s go back to American Graffiti. I’ve talked to other actors on that movie and they have these…”
Charlize Theron will play Megyn Kelly in a movie about Roger Ailes
Charlize Theron at a screening of Tullyin New York City.
Charlize Theron is ready to take on Megyn Kelly.
The Hollywood Reporter writes that Theron has been cast as the former Fox News anchor in an as-yet-untitled project about the downfall of Fox News chairman Roger Ailes.
The script, by Charles Randolph (The Big Short), is said to center on the sexual misconduct allegations raised against Ailes in 2016 — first by Gretchen Carlson in a lawsuit, and then by numerous other women including Kelly. Ailes was forced to resign later that same year.
Carlson is also expected to be a character in the film, along with other prominent Fox News figures like Bill O’Reilly, Greta Van Susteren, and Rupert Murdoch. Theron is the only cast member announced so far.
Theron has excelled at playing complicated and even unlikable characters — she won an Oscar in 2004 for playing serial killer Aileen Wuornos. She currently stars in Tully, which reunites her with Young Adult duo Jason Reitman and Diablo Cody.
The Fox News project is being helmed by Jay Roach, who’s gotten into the habit of making films about recent political events. He also directed Recount, about the 2000 presidential election, and Game Change, about the 2008 one, and is attached to direct the TV adaptation of Michael Wolff’s Fire and Fury.
Annapurna Pictures is producing the movie, which does not yet have a release date.
Rashida Jones addresses her departure from ‘Toy Story 4’
Rashida Jones at the Vanity Fair Oscar Party in 2018.
It’s hardly news that Hollywood tends to favor white men, to the exclusion of everyone else. And Rashida Jones is done putting up with it.
Jones called out Pixar’s lack of diversity in an interview with Net-a-Porter, while explaining why she and writing partner Will McCormack left Toy Story 4 last year.
Describing the situation as “complicated,” Jones said:
You look at [Pixar’s] track record and it was one woman directing one film in 25 years, and she was fired. But that doesn’t look different from most studios in Hollywood. All I can be is myself, and speak up and be honest when I feel things don’t reflect the world as it today. As a corporation, you will be held accountable.
The one female director Jones is referring to is Brenda Chapman, who was to be Pixar’s first female director before she was taken off of Brave and replaced by Mark Andrews.
While Jones did not go into further detail about her experience at Pixar, her comments echo the statement she and McCormack issued last November, when they decided to depart the project.
At the time, the pair were pushing back against a Hollywood Reporter article claiming they’d left due to an unwanted advance made on Jones by now-disgraced Pixar chief John Lasseter.
That statement read:
We parted ways because of creative and, more importantly, philosophical differences. There is so much talent at Pixar, and we remain enormous fans of their films. However, it is also a culture where women and people of color do not have an equal creative voice.
A look at Pixar’s future releases indicates that the studio won’t be breaking its all-male director streak anytime soon. Upcoming titles include Incredibles 2, directed by Brad Bird; Toy Story 4, directed by Josh Cooley; and an untitled suburban fantasy film, directed by Dan Scanlon.
On the other hand, the studio is getting its first female-helmed short this summer: Bao, from Domee Shi. Maybe change is coming for the studio, even if it’s a lot more slowly than we’d like.
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