Connect with us

New Movie Articles

Watch these movies after you see ‘Ocean’s 8’

Published

on

Image: mashable composite/universal/paramount

“After months of building anticipation, Ocean’s 8finally hit theaters Friday. Yes, it featured the stunning, talented, female-led cast you’ve heard so much about. Glad you noticed.

But Ocean’s 8 is more than the token “female remake” it has been boiled down to. Like many audience members this past weekend, I showed up for the all-star actresses, but stayed for the crime, glamor, comedy, celeb cameos, and general badassery.  

So to get you through those days where you can’t make it to the theater for a rewatch, here are fourteen films that show off groups of ladies getting together to kick ass — literally or metaphorically. 

Crime

Chicago (2002)

Headed up by Catherine Zeta-Jones and Renee Zellweger, this jailhouse musical took home six Academy Awards, including Best Picture. It’s tough to make Richard Gere look like a third wheel, but somehow the murderesses of Cook County Jail pull it off.

Where to watch: HBO

Thelma & Louise (1991)

This road trip classic follows two women as they attempt to outrun their darks pasts by any means necessary. While neither Susan Sarandon nor Geena Davis won Best Actress for their performances, the leads’ double nomination cemented Thelma & Louise as a feminist classic.

Where to watch: Starz

Heathers (1988)

Plaid skirts, football players, and drain cleaner? Color me stoked. A dark high school comedy laced with visceral teen murders, this cult classic is the adolescent destruction fantasy you didn’t know you needed. Starring Winona Ryder and the titular “Heathers.”

Where to watch: Netflix

Glamour

Mamma Mia! (2008)

Meryl Streep shines amongst a cast of notoriously fabulous character actors in this romantic comedy with a pop twist. The costumes, musical numbers, and female stars glisten in an ABBA-made universe. Stay tuned for the sequel hitting theaters July 20th.

Where to watch: Netflix

Beauty Shop (2005)

Nothing feels better than a comedy that celebrates inner and outer beauty equally. Queen Latifah and the rest of her salon crew (featuring Alicia Silverstone and Andie MacDowell among others) gave us one of the most styling girl-power movies to date in this Barbershop spin-off.

Where to watch: Vudu

First Wives Club (1996)

Goldie Hawn, Bette Midler, and Diane Keaton team up in this instant classic, reuniting as long lost friends and taking down the men who have wronged them – all while donning stunning coordinated power….”

Read more: https://mashable.com/2018/06/11/14-female-led-movies-oceans-8/

New Movie Articles

Robert Redford’s greatest screen roles ranked!

Published

on

As the actor and Oscar-winning director reveals his plans for retirement, we rank his 10 best performances in front of the camera

10. Brubaker (1980)

“Released in the same year as his clunky but multiple Oscar-winning directorial debut Ordinary People, Brubaker showed a tougher side to Redford than anyone had seen before. As a prison warden who goes undercover as an inmate to clean up the penal system, he had to raise his game among some hardened character actors. The movies I liked making dealt with an America that was a little different from the America that was propagandised, he said. Theres a grey zone that I know, and I want to tell stories about that complex part of America.

9. The Twilight Zone Nothing in the Dark (1962)

None of Redfords early TV appearances were as haunting as his personification of death in this creepy-sad episode of The Twilight Zone. You see? he says, glowing handsomely and gesturing to an old womans dormant body as he leads her spirit into the afterlife. No shock. No engulfment. No tearing asunder. What you feared would come like an explosion is like a whisper. What you thought was the end is the beginning.

8. The Great Gatsby (1974)

Before DiCaprio there was Redford: he may never have exuded the pure electricity of the junior actor, and his chemistry with Mia Farrow (as Daisy) was meagre, to say the least, but his permanently distracted air was just right for Jay Gatsby. In the midst of even the most vibrant shindig, he seems uniquely alone. Fame does that to you.

7. Sneakers (1992)

This underrated techno caper-comedy, about a crack team of computer security experts, was led by Redford and features River Phoenix, Sidney Poitier and Dan Aykroyd. Redfords occasional returns to light comedy could be spotty Legal Eagles should be outlawed but hes having a blast here as the slightly bumbling former radical who has become something of a sellout.

Redford
Redford in The Great Gatsby (1974). Photograph: Everett Collection/Rex

6. Three Days of the Condor (1975)

Redfords most frequent collaborator was the director Sydney Pollack, with whom he made six films including the 1972 western Jeremiah Johnson and the Oscar-bait drama Out of Africa (1985). Their best, though, was this jittery conspiracy thriller in which Redford, working for a clandestine CIA group, has to be brought in from the cold after his team is massacred. Cherish the justified sense of Watergate-era dread, as well as the opening shot of Redford cycling through traffic in a goofy woolly hat and trainers…………….”

See the rest of the list here: https://www.theguardian.com/film/2018/aug/09/robert-redfords-greatest-screen-roles-ranked

Continue Reading

New Movie Articles

From Nico to Tonya Harding, womens true stories are being told on film at last

Charmaine Blake

Published

on

I wasnt happy when I was beautiful: the movie Nico, 1988 shows singers resilience in later life, signalling a change in how biopics treat their subjects

“On paper, Nico the Warhol acolyte, singer and fashion model who added international exoticism to the grungy downtown hip of the Velvet Underground would seem to be perfect biopic material.

With her glowering, angular looks and smoky drone of a voice, she was unlike anyone else around at the time. She had a string of romances with beautiful, troubled men. Further boxes are ticked on the biopic checklist by the fact that she struggled with demons heroin was her drug of choice.

But Nico, 1988, the daringly unconventional biopic by Italian director Susanna Nicchiarelli, which has just opened in the US, is not about the singer in her iconic phase. Instead it deals with the last two years of her life: Nico prefers to go by her birth name, Christa Pffgen; she performs avant-garde proto-goth dirges while scowling through her fringe in European dive bars; the decades of addiction have taken their toll, but she doesnt care: I wasnt happy when I was beautiful.

Nicos value to Warhol was inextricably linked to the way she looked. When asked what became of Nico after she left his studio, the Factory, Warhol was dismissive: She became a fat junkie and disappeared. But what interested Nicchiarelli was her resilience. Unlike other Warhol superstars such as Edie Sedgwick and Candy Darling who crashed and burned once their 15 minutes of fame were snatched away, Nico reclaimed herself. Talking at the Rotterdam film festival, Nicchiarelli said, The intriguing thing about Nico was that she survived. She was so much stronger.

Nico,
Nico, centre, and the Velvet Underground. Photograph: Alamy Stock Photo

The focus of this film on unglamorous middle age rather than gilded youth is significant. It is representative of a change in the way biopics for so long dominated by white, male stories approach female subjects. Theres no doubt that we are in the midst of a particularly rich period for female-led real-life dramas. Alongside independent productions such as Nico, 1988 and Christine (about TV news anchor Christine Chubbuck), Hollywood has also got…………………”

Read more: https://www.theguardian.com/film/2018/aug/05/female-biopics-nico-tonya-harding-womens-true-stories-being-told-at-last

Continue Reading

New Movie Articles

How did Mission: Impossible become Hollywood’s most reliable franchise?

Charmaine Blake

Published

on

Critical adoration and box office success has met the sixth installment of Tom Cruises series, an unlikely 22-year phenomenon that shows no signs of tiring

“Lets take a moment to appreciate the preposterousness of Mission: Impossible. Not the rubber masks or the exploding gum sticks or the nuclear countdown clocks that always stop with one second till death. (The usual, Ving Rhames Luther Stickell would shrug.) All franchises have their implausibilities, whether its Transformers sentient cars or the Fast and Furious sentient Vin Diesels. But only the Mission: Impossible franchise has gotten better reviews with every installment, climbing its way up the Rotten Tomatoes rankings as though wearing electromagnetic gloves. Bruce Willis cant make a good Die Hard happen. But this weekend, Mission: Impossible Fallout had the best critical approval of Tom Cruises entire career, better even than the three films that scored him Oscar nominations, and his second-highest box office opening ever, just under 2005s War of the Worlds. Fallout probably would have beaten that, too, if MoviePass hadnt glitched.

Kudos to Cruise for making the most of a career he never meant to have. Mission: Impossible is also an outlier……………….”

Read more: https://www.theguardian.com/film/2018/jul/30/mission-impossible-tom-cruise-reliable-franchise

Continue Reading

Trending