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Welcome to ‘Blade Runner’ year, now where’s my damn replicant

Charmaine Blake

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A new life awaits you, but when?

Image: warner brothers

The confetti has been swept up, the hangovers have almost faded, and there is nothing before us now but huge swathes of 2019.

Which is, as any nerd knows, the year in which the 1982 classic Blade Runner officially took place. And whatever else may happen in this likely very insane year, it’s safe to say that we have utterly failed to live up to the future we imagined back then.

Oh, sure, we created a generalized dystopian atmosphere of despair. That part was easy; we were already well on our way to crumbling infrastructure and rising inequality in the 1980s. The fact that the movie (sort of) predicted an out-of-control climate is no big whoop either; anyone working at an oil company or paying attention to scientific literature back then knew global warming was about to be a thing.

But the Ridley Scott movie, and the Philip K. Dick short story on which it was based, both anticipated major leaps and bounds in our adventurousness and our technological prowess that compensated for the gloom.

Here was a future where most people have departed years ago for “off-world colonies.” Hence the giant blimp seen advertising a new life in them to the remaining residents of grimy Los Angeles. Not only that, but we had created lifelike artificial intelligence in the form of replicants to help build those colonies. True, that part didn’t work out too well, at least not for the victims of six dying rogue replicants who fled back to Earth. But still, pretty impressive tech there, Mr. Tyrell!

On the one hand, it’s something of a relief that we are not as smart as we liked to think. Best not to have malfunctioning robots running amuck, giving poignant yet snooty speeches about all the things they’ve seen that we wouldn’t believe. On the other hand, it would be kind of nice if somebody would go far off-world and see things so they could come back and brag like a hipster about it.

Rutger Hauer as Roy Batty: replicant, hipster, dove-lover

Image: sunset boulevard/Corbis via Getty Images

Rutger Hauer, who wrote that space fantasy death monologue himself, has never explained how attack ships off the shoulder of Orion could actually catch fire in the vacuum of space. (Maybe that’s why we wouldn’t believe it.) Nevertheless, I say we build attack ships, send them to Orion, and test his hypothesis! (Spoiler alert: We won’t be visiting Orion………………………………………………………”

Read more: https://mashable.com/article/blade-runner-2019/

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Taraji P Henson: ‘Hollywood didn’t grasp my talent’

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Harvey Weinstein obstructed her rise now, with her new film What Men Want, she is calling the shots. But what does she make of her Empire co-star Jussie Smolletts hate-crime controversy?

“On a December morning in Los Angeles, the sun blazes down on a large and abundantly decorated Christmas tree in the parking lot at Paramount Pictures. It is upstaged, though, by the actor Taraji P Henson, who swans past wearing an ensemble that calls to mind the futuristic fashion of the 1970s: steampunk sunglasses, a black tracksuit under a puffy gilet and chunky grey, orange and lime sci-fi pumps, possibly with rocket boosters in the soles. Her hair is arranged in tight braids, some piled on her head, others swishing around her shoulders.

As we take our seats in a brightly lit office upstairs, she removes from her flowery backpack a tub of beige mush. What is that, mashed banana? Nuh-uh, she says between mouthfuls. Its an oatmeal alkaline thing. Its got quinoa in it. I gotta be careful because I dont digest a heavy grain. She takes a sniff and laughs. It smells like dirt, it really does. She went vegan last year after a doctor told her it could reduce the chances of getting stomach cancer. You can do it if you have a good chef, she says encouragingly. I make a mental note to have a chat with mine……………………………………………………………………….”

Read more: https://www.theguardian.com/film/2019/mar/08/taraji-p-henson-hollywood-didnt-grasp-my-talent-what-men-want

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Netflix vs. Steven Spielberg is a battle over the future of the movie experience

Charmaine Blake

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“New York (CNN Business)Netflix wants to change how you watch movies. Steven Spielberg wants to preserve the theatrical experience. Those two points of view are clashing, with Netflix pushing back against a plan that Spielberg reportedly has to create rules that could block the streaming giant from future Oscars contention.

Netflix on Sunday night responded to Spielberg’s reported plans by tweeting from its film unit’s Twitter account, “We love cinema.”
The company said in its tweet that it “also loves…Access for people who can’t always afford, or live in towns without, theaters; letting everyone, everywhere enjoy releases at the same time; giving filmmakers more ways to share art.”
“These things are not mutually exclusive,” Netflix Film tweeted.
Netflix did not mention Spielberg by name, but the tweet came after Hollywood trade publication IndieWire reported last week that the Oscar-winning director was “devoted to ensuring that the race never sees another ‘Roma’ — a Netflix film backed by massive sums, that didn’t play by the same rules as its analog-studio competitors.”
It’s not clear what rule changes Spielberg might be planning to propose at the Academy’s annual board of governors post-Oscar meeting. But a spokesperson for Spielberg’s production company, Amblin, told IndieWire that “Steven feels strongly about the difference between the streaming and theatrical situation.” A spokesperson for Amblin declined CNN Business’ request for comment………………………………………………….”

Read more: https://www.cnn.com/2019/03/04/media/netflix-steven-spielberg/index.html

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Luke Perry: forever the thrillingly cool teen pinup

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Perry never quite escaped the shadow of Beverly Hills, 90210. But this was not a failing it was proof of how seminal the show, and Perrys handsome rebel Dylan McKay, was to a generation

“Teen pinups who free themselves of their TV origins can be counted on one hand with fingers to spare: Ron Howard. Michael J Fox. Zac Efron.

Luke Perry never quite made it to those ranks, but thats no discredit to him. Despite working pretty regularly until the day he died which is more than a lot of teen stars can say he always knew his obituaries would read Dylan McKay has died, referring to the bad(ish) boy he played in the original series of Beverly Hills, 90210 from 1990-1995, and then again in 1998-2000 when he gamely, if through somewhat gritted teeth, revived the character. And so it has proved to be the case.

It
It turned our TV dreams from black and white to colour … Beverly Hills 90210. Photograph: Moviestore/REX/Shutterstock

That Perry could never escape the shadow of 90210 as all its fans called it was not a failing on his part. None of the original cast could, and its a testament to how seminal, for a whole generation, that TV show was. In the age of streaming, when teenagers can watch pretty much any TV show they…………………………………………………………….”

Read more: https://www.theguardian.com/tv-and-radio/2019/mar/04/luke-perry-beverly-hills-90210-dylan-mckay-forever-the-thrillingly-cool-teen-pinup

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