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Why Is Sony Burying Proud Mary and Taraji P. Henson?

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Proud Mary might not be that proud after all.

The Taraji P. Henson-starrer was one of the years most anticipated films when the trailer dropped last year. Hensons turn as Mary, a hitwoman working for an organized crime family in Boston, seemed like the black response to Atomic Blondethat is until this year rolled around, where it seems like Sony and Screen Gems have completely dropped the ball on promoting it.

Proud Mary is out this Friday, and social media has been flooded not with excitement for the film but confusion as to why its not being pushed harder. Is it a case of a studio underselling a black film, as is customary in Hollywood? Or does Sony want to hide the fact that the film might not be very good?

Its not screening for critics this week, so dont expect any advance reviews of Proud Mary. Furthermore, critics attending the films press junket werent allowed to screen the film first, so interviews with Taraji will have to remain vague as its a little hard to discuss a film that you havent seen yet with an actress.

Henson herself has even voiced frustration with the promotion of the film.

In a pre-Christmas interview with The Hollywood Reporter, Henson said shes been begging and pleading my connections and doing whatever I can to make this movie the best it can be. I dont just put my name on stuff just to say it; I get down and dirty. [Studios] never expect [black films] to do well overseas. Meanwhile, you go overseas and what do you see? People trying to look like African-Americans with Afros and dressing in hip-hop fashions. To say that black culture doesnt sell well overseas, thats a lie. Somebody just doesnt want to do their job and promote the film overseas. Do you not have people streaming my Christmas specials in Australia? Come on, yall! I dont understand the thinking. Send me over there, and if it fails, then we dont do it again, but why not try? If I knew this movie was gonna make money domestically, I would try to get more money overseas. Its business!

Traditionally, Hollywood has blamed lack of interest in black films overseas as the reason why they dont promote them there. But just last year, Get Out raked in big money overseasas did Hidden Figures the year beforeand historically, films like Coming to America, Beverly Hills Cop 2, Independence Day, and Bad Boys 2 have, too. If anything, its a systemic problem of assuming black films undersell in America and in turn, fail overseas. Henson starred in Hidden Figures and her television drama Empire screens internationally, so why not develop her into a burgeoning international box-office star?

As Octavia Spencer, Hensons Hidden Figures co-star, said, [Will Smith] was told the same thingthat he wasnt going to be taken to promote his film. Had he not paid for himself to fly all over the world that very first time, he would not be an international box-office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you dont know em, why would you go support the film?

Speaking of Smith, even his critically panned film Bright managed to be a success for Netflix (a sequel has already been greenlit) and trust me, Proud Mary would have to do some heavy lifting to be worse than that trash.

Henson has been a star for decades and its a shame that there isnt a bigger push for Proud Mary. This week, I accidentally stumbled upon a Facebook Live interview with the actress that lasted less than 10 minutes and had her scrolling through an iPad to find fans questions to answer in real time. It looked like a thrown-together operation from a flailing media company that has decided to pivot to video.

Ive been rooting for Henson for years. Fans are excited to see the movie and want to support it and help studios realize that black filmsand films starring womenhave a hungry audience that craves more than a few tweets and TV commercials. As Henson told THR, If a man can do it, why cant we? I feel like women get better as we age. Give us the same chances as you give men.

Read more: https://www.thedailybeast.com/why-isnt-sony-doing-more-to-promote-proud-mary-and-taraji-p-henson

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Emily Blunt on the pressure of playing Mary Poppins

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Mary Poppins is a woman with a talent for putting things back together again.

“Which is why it’s rather apt that after 50 years, she’s returning to our screens at a time when the world is arguably most in need of being put back together.

And, Emily Blunt — who plays Mary Poppins in the upcoming sequel Mary Poppins Returns — is well aware of the impact her character has already had on the lives of those who watched the 1964 movie starring Julie Andrews.

Standing in full Edwardian get-up inside Shepperton Studios, Blunt told Mashable that she has fond memories of watching the film as a child. “The film, for me, and I think for most people, is one of those films that is seared into people’s memory, an emblem of their nostalgia in many ways,” says Blunt…………………………………………………”

Read more: https://mashable.com/article/emily-blunt-interview-mary-poppins-returns/

 

 

Director Rob Marshall and Emily Blunt on the set of Disney’s ‘Mary Poppins Returns’.

Image: Jay Maidment

 

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How Willem Dafoe Learned to Paint like Van Gogh

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Midway through artist-director Julian Schnabel’s new film At Eternity’s Gate, we see Vincent van Gogh, portrayed by actor Willem Dafoe, entirely consumed by the compulsion to paint. In the scene, the Dutch artist opens the door to his yellow-walled apartment in Arles, France, to find his friend, fellow artist Paul Guguin, sketching Madame Ginoux, a local café owner. Instantly compelled by what he sees, Van Gogh lunges into action, assembling his easel and grasping several paintbrushes in his left hand, while using his right to commit bold, feverish brushstrokes to canvas. His passion is enthralling—so much so, we forget that Dafoe is not a real painter at all.

At Eternity’s Gate envisions the final years of Van Gogh’s life, through a series of vignettes that straddle truth and fiction (much, though not all, is based on the trove of letters the artist left behind). We see his plight as an artist in Paris, his infatuation with the light and landscapes of Arles, and his declining mental health—including when he famously cut off his ear. But it’s not a straightforward account. “This isn’t a biopic, it doesn’t explain his life,” Dafoe recently explained at the New York Film Festival. “It’s really about painting.” Indeed, it is, first and foremost, the story of a painter as told by a painter: Schnabel, who is known for an idiosyncratic painting practice ranging from canvases covered in shattered plates to inkjet prints painted with purple-hued goats…………………………….”

Read the rest of the article here: https://www.artsy.net/article/artsy-editorial-willem-dafoe-learned-paint-van-gogh

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‘Love Actually’ turns 15: Fun facts about the movie

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