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Why you need to immediately start watching the new Netflix crime show ‘Dark’

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If you like crime, time travel, and head burstingly-complex (but also incredibly well thought-out) plots, you’re probably going to like Dark.

Baran bo Odar and Jantje Friese’s rainy, 10-part mystery thriller is Netflix’s first foray into German-language originals. It’s moody, it’s ambitious, and even though I was constantly struggling to remember who people were or understand what the sweet hell I was watching, it immediately had me hooked.

So what’s it all about?

Dark is the sort of show that will have you spending hours trying to figure out what exactly you’ve just watched, then even more hours theorising about why it happened, what it meant, and what’s going to happen next. It’s the type of TV that lengthy, Reddit-based dissection was made for, in other words — and the sort of show that’s very hard to summarise in just a few sentences.

Still, let’s give it a go.

Dark is set in the small German town of Winden in the year 2019. The town has a controversial nuclear power plant, some fairly ominous caves, and a bunch of families with intertwining back-stories that are every bit as tangled as the plot. At the start of the show the town is in a tense state because a teenage boy has been missing for 10 days. Police haven’t turned up any leads. Then another little boy goes missing, the burned corpse of yet another unnamed child turns up, and the story quickly spirals into a spectacularly complex mish-mash of secrets, murder, and enough time travel to set your head spinning.

So many questions.

Image: netflix/mashable composite

Why should you watch it?

Some people have been likening Dark to Stranger Things, but really this comparison only goes so far. Both shows have that small-town-with-weird-stuff-going-on vibe, and they both have coming-of-age elements and a link to the ’80s. But Dark is very different stylistically. Despite the sci-fi elements it probably has more in common with the drizzle-soaked bleakness of The Killing than it does with the Duffer Brothers’ nostalgic love letter to the horror genre.

The show is very much its own beast. You could take certain tropes found in Stranger Things, combine these with the style of The Killing, roll both together with the likes of Primer and Donnie Darko and you might be slightly closer — but you still wouldn’t be quite there.

That’s half the pull of Dark, though. It feels unique. There are nods to plenty of other TV shows and films, but Odar and Friese have created something that feels impressively original.

It’s really, really ambitious too. The storyline is mind-bogglingly epic. The show addresses themes that are on a scale with those tackled in The OA, and then it manages to do something that’s tricky to pull off in speculative genres — it ties everything smoothly together without the need for a deus ex machina ending.

The characters

In a story that tackles super-complicated themes over a three-generation-long timespan, it’d be easy for some aspects to fall by the wayside.

Dark has about 20+ main characters, for instance, with even more minor figures who show up in the background — surely some of these are underwritten?

Well, amazingly, no. The characters are just as intricate as the plot itself, with motives and patterns of behaviour that make more sense the more we delve into the town’s complex past.

Also bonus points have to be awarded for this mysteriously sinister priest played by Mark Waschke, who’s basically the German Jude Law:

Image: netflix/hbo/mashable composite

The sweet, sweet music

Music doesn’t tend to be the first thing people think of when assessing how good a show is, and admittedly it’s not necessarily the most important thing — but it can still make a huge difference.

The good news is the music in Dark is awesome. It’s used at key moments to very good effect and it’s introduced me to a bunch of great new songs (the theme song, in particular — which you can skip to about 1:30 in the video below to listen to — works in tandem with some eerie visuals to create an intro that’s up there with the likes of True Detective).

It’s very rare for me to like the music in a show so much I’d consider seeking out the soundtrack, but in this case that’s something I absolutely will be doing.

In conclusion…

Don’t let the subtitles put you off. The honest truth is that the show is so beautifully confusing that the fact it’s in another language will be the least of your worries.

There will be moments when you find yourself forgetting who people are, and what’s going on, and what year the events you’re viewing are even taking place in — but you just have to go with it.

Things may make more sense in the end, and then again they may not. But either way you’ll have an awesome time on the journey.

Dark is available now on Netflix.

Read more: http://mashable.com/2017/12/15/dark-netflix-reasons-to-watch/

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Like Father – Netflix Movie Trailer

Charmaine Blake

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Starring Kelsey Grammer & Kristen Bell
When a workaholic young executive (Kristen Bell), is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father (Kelsey Grammer). The two depart as strangers, but over the course of a few adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life. Like Father premieres August 3 only on Netflix.

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Netflix’s ‘Lust Stories’ is Indian filmmaking at its finest

Charmaine Blake

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“As Indian cinema’s worldwide audience grows, most people are acquainted exclusively with Bollywood – Hindi-language romantic dramas full of dazzling song-and-dance numbers that may or may not be related to plot.

But Indian cinema has always been more than that, just as Italian film extends beyond neorealism or and the French New Wave is just one piece of a rich history. Cinephiles may know Satyajit Ray’s Apu trilogy, which offers a glimpse of the type of gritty auteurship that doesn’t pay the Bollywood bills, but speaks to some truly fine artistry. Indian short films remain a source of this ingenuity and excellence, and Netflix’s Lust Stories is a fresh new installment.

Like Bombay Talkies before it, Lust Stories is an anthology of short films from known Indian directors Anurag Kashyap, Zoya Akhtar, Dibakar Banerjee, and Karan Johar. They are exceedingly simple stories: a teacher’s obsession with…..”

Read more: https://mashable.com/2018/06/16/netflix-lust-stories/

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Netflixs latest hit The Kissing Booth is a Wattpad success story

Charmaine Blake

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“One of the most popular movies in the U.S. is a terrible teen rom-com called “The Kissing Booth,” and it’s not in theaters. Instead, this Netflix Original with its paltry 17 percent critics’ score on Rotten Tomatoes, shot up to become the No. 4 movie on IMDb, before more recently dropping down to No. 9. Its leads, Jacob Elordi and Joey King, also became the No. 1 and No. 6 most popular stars on IMDb’s StarMeter, respectively, shortly after the film’s launch.

The secret to the movie’s success, however, is not just a combination of teenagers’ questionable taste in entertainment and the power of Netflix’s distribution — though both play a major role, clearly.

Instead, it’s that “The Kissing Booth” is tapping into a built-in audience: teenage Wattpad users.

Yes, Wattpad.

In case you’re not familiar, Wattpad is an online site…..”

Read more: https://techcrunch.com/2018/06/14/netflixs-latest-hit-the-kissing-booth-is-a-wattpad-success-story/

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