Director: Steve McQueen
Running Time: 2 hours, 9 minutes
“When her husband Harry is killed in a robbery gone wrong, Veronica Rawlings is forced into committing a crime to get back the $2 million her husband stole from a dangerous politician/gangster during their fatal botched heist.
There’s no reason why ladies can’t be heisters, too, so why has it taken so long to give them a good and proper vehicle like “Widows”?…okay, don’t count “Ocean’s 8” from earlier this year, but still, it’s 2018, damn it! We should have dozens of these movies by now. This film is directed by Steve McQueen, who has directed films like “Shame,” “Hunger,” and the Oscar-winning “12 Years a Slave.” McQueen also helped write the screenplay along with acclaimed writer Gillian Flynn, and it is adapted from the British miniseries of the same name by Lynda La Plante. When career criminal Harry Rawlings (Liam Neeson) and his team steal $2 million from a local politician and crime boss named Jamal Manning (Brain Tyree Henry), they are all killed and get burned up with the money when their van explodes in a violent shootout with local Chicago police officers.
Now, Manning wants his money back, and he believes that debt falls to Harry’s widow Veronica (Viola Davis). Harry has left Veronica with little means to pay Manning back. When Jamal and his brother Jatemme (Daniel Kaluuya) come collecting, Veronica must gather the other widows of the men killed in the botched heist, Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Amanda (Carrie Coon), to do the last job Harry had in his notebook, which he left for her to find. This final task will net them enough money to pay off Manning and allow them to start new lives for themselves……………………………….”
Stranger Things Season 3 receives Rave Reviews from Critics
Midsommar Review – 5 Stars!
Florence Pugh is plunged into a terrifying pagan bacchanal in a magnificent folk-horror tale from Hereditary director Ari Aster
“There’s nothing cosy about these midsummer murders, and Midsommar could turn out to be folk-horror for the Fyre festival age. Ari Aster is the film-maker who made his feature debut just last year with the chiller Hereditary, and now presents us with this fantastically sinister and self-aware Euro-bacchanal, clearly inspired by the 1973 classic The Wicker Man. And that is not the only riff. When Hereditary came out, I guessed (correctly, as it turned out) that the director was thinking about Bergman’s Cries and Whispers. I’m now going to bet 20p that before shooting Midsommar, Aster took another look at Tarkovsky’s The Sacrifice.
Midsommar is an outrageous black-comic carnival of agony, starring charismatic Florence Pugh in a comely robe and floral headdress. It features funny-tasting pies and chorally assisted ritual sex, with pagan celebrants gazing into the middle distance and warbling as solemnly as the young dudes in the Coca-Cola TV ad about teaching the world to sing. It’s all set in an eerily beautiful sunlit plain, bounded by forests and lakes. This is supposed to be somewhere in northern Sweden, but was filmed in Hungary, and Aster, cinematographer Pawel Pogorzelski and production designer Henrik Svensson have collaborated on what are surely digitally assisted images: the sky and fields becoming a bouquet of vivid and beautiful blues and greens. The music from British composer Bobby Krlic (AKA the Haxan Cloak) is sensually creepy………………………”
What’s My Name: Muhammad Ali review – from prodigy to legend
Part one of Antoine Fuqua’s film shows the transformation within a decade from 12-year-old boxing novice Cassius Clay into the heavyweight champion of the world
“I asked my mother when I went to church on Sunday: ‘Why is everything white? What happened to all the black angels?’”
So Muhammad Ali told an interviewer, before giving a knowing look and – boom! – the punchline. “Black angels are in the kitchen preparing milk and honey.”
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