Jean Grey comes into her powers in ‘Dark Phoenix’.
“The X-Men are part of the Disney family now, and never has that felt clearer than at the studio’s CinemaCon presentation Wednesday.
Disney touted both Dark Phoenix and New Mutants as part of its upcoming slate, alongside the usual Avengers and Star Wars and Pixa
What exactly the X-Men’s future looks like at the Mouse House, though, remains unclear.
Deadpool clearly isn’t going anywhere. “You’ll be seeing more of Deadpool in the years ahead,” promised studio chairman Alan Horn, after sharing Ryan Reynolds’ cheeky tweet about Fox joining Disney.
And New Mutants, despite delayed release dates, reports of reshoots, and rumors of a straight-to-streaming distribution plan, does seem to be headed to cinemas — it was included on a slide of Disney’s 2019 theatrical releases.
But the core X-Men franchise led by James McAvoy, Michael Fassbender, Jennifer Lawrence, and Sophie Turner is evidently coming to a conclusion. Dark Phoenix, out this summer, was described by 20th Century Fox’s Emma Watts as “the perfect sendoff” to the X-Men series……………………………………………………….”
Why the dance numbers in the new ‘Aladdin’ are so disappointing
‘Remember the steps. Remember your training. Do not embarrass us.’
“Disney’s highly anticipated Aladdin is here, but we know better than to expect anything groundbreaking from another needless live-action adaptation. While remake has pleasantly surprised most critics with colorful costumes and charismatic leads, Aladdin‘s signature songs are its biggest disappointment.
From Mashable’s own Angie Han: “Guy Ritchie and his team seem to have no idea how to stage and shoot a musical number,” which is precisely the opposite of what you want to hear about the director of a movie musical (much less one who was married to Madonna).
So, where and how did Aladdin botch its opportunities for movie musical greatness? Let us count the ways.
Aladdin is tricky to negotiate from a representational standpoint because it was never based on one specific culture. The animated film was an amalgam of Middle Eastern and South Asian visual inspirations, and the live-action takes this at face value, doing the same and adding literally nothing to it. This piece references Bollywood dance numbers a few times, not because of any confusion about where Aladdin takes place, but because India has a booming film industry that thrives on movie musicals that Disney would’ve done well to study…………………………………………………”
How The Blair Witch Project changed horror for ever
The movie’s marketing took advantage of trust in the early internet, but fake news isn’t what it used to be
“We will never get a movie like The Blair Witch Project again. Having said that, weve had dozens of movies like The Blair Witch Project. In the 20 years since its release, it has transformed the horror landscape, and more besides. Found footage is now a sub-genre in itself thanks to it. How many horror movies have we seen claiming: This all really happened, honest? How many occult symbols and folk myths have crossed our screens? How many gung-ho teens have set off on an adventure, never to return? And how many times has a gimmicky horror reaped rewards for virtually no outlay? Blair Witch did not invent all these tricks but it put them together to create a phenomenon. It is the 21st centurys Exorcist………………………………………………….”
Dog assassins are a thing in ‘John Wick: Chapter 3’ and holy crap we can’t wait
These good boys are ready to help. Also, John Wick and Sofia are there.
“The entire John Wick franchise was set into motion by the death of a dog. Now, in John Wick: Chapter 3 — Parabellum, the canine species finally gets a shot at revenge.
In footage revealed exclusively at CinemaCon, two Belgian shepherds owned by Sofia (Halle Berry) take an active role in the fight, bringing down the bad guys who would harm Sofia and John (Keanu Reeves).
The scene opens with the two human assassins in what looks like a desolate, deserted castle, preparing for some dramatic event to come.
Parabellum knows exactly how long we’ve been waiting to see some dogs fuck some shit up.
Then the henchmen arrive and the shooting starts, and Sofia’s dogs spring into action. They race ahead to take down minions for Sofia to shoot. One mauls a guy, sending him off the side of a high wall.
At one point, Sofia spots a baddie coming at them from above — so she bends over and lets one of her dogs springboard off her back, leap onto that high wall, and attack that dude directly.
Mind you, Sofia and John are in the battle as well, frantically running around and shooting at nameless villains in the gracefully choreographed way we’ve come to expect from these films………………………………………………………………….”
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